1917 (2019)


Image via nowtoronto.com


I resisted seeing this Best Picture Oscar nominee because it is a war film (not my favourite genre) and promos had made it seem a bit epic and action-heavy rather than introspective. Boy was I wrong. Continue reading

The Extraordinary (Hors Normes) (2019)




I wasn’t expecting to love this feature, by writer directors Olivier Nakache and Éric Toledano, so much. Their huge hit The Intouchables (2011) achieved all the right notes of feel-good, odd couple drama with a social subtext and rarely overplayed its hand. It felt like an elegant and understated Hollywood pic though and it is unsurprising that it was re-made in 2017 as The Upside (which I can’t bear to watch). I was expecting the same with The Extraordinary and so was unprepared for its social and emotional depth and understated authenticity. Continue reading

Daffodils (2019)


Image via miff.com.au


I was primed for this New Zealand musical as a line of Maori singers serenaded the queue as we waited and they walked into the cinema. I was a tad disappointed when I realised they were there for For My Father’s Kingdom in Kino 1 and Daffodils was going to be a bit more pakeha. Continue reading