McQueen (2018)

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Image via miff.com.au

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There is something to be said for a film that left me left me wanting to go home and make clothes. Ian Bonhôte and Peter Ettedgui’s documentary about fashion enfant terrible Lee (Alexander) McQueen is equal parts inspiring and devastating. Continue reading

Three Faces (2018)

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Jafar Panahi is not one of my favourite Iranian directors. His self-conscious self-referential technique of centring his films around his persona as a director has always kept me at a distance from his films, although I understand the relevance given his 20-year travel and directing ban. Three Faces follows this same style but, for the first time, I felt he kept himself to the margins of the story and let the real star, Behnaz Jafari, shine. Continue reading

Halloween (2018)

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This sequel in the slasher horror franchise that launched Jamie Lee Curtis’s career in the late 70s feels like a loving homage, firmly rooted in its origins albeit with better gender (but not cultural) representation. Continue reading

Colette (2018)

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This thoroughly enjoyable biopic tells the story of celebrated and notorious French writer Colette and her struggle for recognition. Directed by Wash Westmoreland (Still Alice 2014), Colette has the feel of a lush, British period drama, with well-drawn characters, gorgeous costuming and a pace that never feels rushed. Continue reading

Tigers Are Not Afraid (Vuelven) (2017)

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3.5_orange_sm

Based on the real problem of children left vulnerable when their parents are captured or killed by Mexican drug cartels, Issa López’s horror take is cast primarily with child actors who do a decent job of carrying the story. Integrating fable-like elements and some competent special effects, the result is engaging although somewhat marred by sentimentality. Continue reading