This is a beautifully-made documentary that carries us close beside the mayor of the Palestinian city of Ramallah, Musa Hadid, as he goes about his day, dealing with everything from fountains to Israeli aggression.
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With a run-time of 14 hours, this is a documentary to own so that you can dip in and out when you have the time. I was expecting a chronological exploration of female directors but this is something much more universal. Breaking the art of film-making down into 41 chapters, each technique and approach is illustrated only by clips from films made by women.
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What at first seems a bright and cheesy opportunity to poke fun at the ignorance and excess of wealthy, white America becomes an insightful and somewhat bleak exploration of ageing.
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Following on from Starless Dreams (2016), Mehrdad Oskouei returns to the same Iranian juvenile detention centre to interview young woman convicted of killing their fathers, along with their mothers and sisters, some who are on death row.
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At first, this look at the inherent bias of algorithms in our daily lives made me uneasy and tempted to ditch all my technology. I stuck with it, though it nearly had me nodding off with its ambling pace, and was rewarded with some third act gems,
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I couldn’t look away from this gripping documentary about the awful abuse and murder of LGBT+ people in Chechnya. What at first seems a story about gay people, becomes something much more universal where we can see the awful ripple effects of persecution, the terrible cost and how easy it is to become a refugee.
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You know if Steven Oliver is narrating, this is going to be a warm and fabulous ride through a serious subject. Taking the 250th anniversary of the landing of Captain Cook in Australia as a jumping off point, Indigenous artists create modern-day songlines that voice an Indigenous view of colonisation.
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There are probably many people like Dr Jess Ting in the world, just going about their work but, because of their empathy and dedication to making a difference, they change people’s lives.
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I wanted to like this documentary about “the first all-female band who wrote their own songs and played their own instruments to reach number one in the Billboard album charts.” This fact in itself is worthy of celebration. That this feat occurred in 1982 and hasn’t been repeated is appalling and I was hoping that this documentary by Alison Elwood might shine a light on “why The Go-Go’s?”
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This quite astounding docudrama by brothers Bill and Turner Ross seems to coalesce all that is precious and precarious about the US on the brink of the 2016 election that saw Trump come to power and the lives of the powerless crumble.
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