

Okay, I only went to see this because I know one of the ‘background talent’ – that is the term director, writer, producer and star Harvey Zielinski used in his introduction to the film.
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Okay, I only went to see this because I know one of the ‘background talent’ – that is the term director, writer, producer and star Harvey Zielinski used in his introduction to the film.
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My MIFF BFF Ariel said I had to see this film as Barbara Hammer is the most important lesbian filmmaker ever. I’m glad I did.
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Yesterday I watched the film that this is a remake of – Chabrol’s The Unfaithful Wife. I suspect it kept me intellectually rather than emotionally engaged with the story.
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This had the pastel hued satire of Greener Grass (2019) but with the bleak and sobering reality (without the fever dream) of Sweet Dreams (2023).
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This was an interesting way to bring people from across the world into the reality of what it is to be in a city under siege.
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What a crazy movie. If you know anything about Brazilian history, you will probably not feel quite as lost as I did.
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Oh boy, I nearly skipped out of this early morning film but I’m so glad I didn’t. It was a real cup filler.
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This seems to be a theme in the films that I am watching at the Melbourne Film Festival that when people have power they will abuse it, and by people I mean men.
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There is no schadenfreude like watching the uber wealthy cause trouble for each other.
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