Halloween (2018)


Image via Universal Pictures via collider.com


This sequel in the slasher horror franchise that launched Jamie Lee Curtis’s career in the late 70s feels like a loving homage, firmly rooted in its origins albeit with better gender (but not cultural) representation. Continue reading

Colette (2018)


Image via times.com


This thoroughly enjoyable biopic tells the story of celebrated and notorious French writer Colette and her struggle for recognition. Directed by Wash Westmoreland (Still Alice 2014), Colette has the feel of a lush, British period drama, with well-drawn characters, gorgeous costuming and a pace that never feels rushed. Continue reading

The King (2017)


Image via miff.com.au


This masterful and emotionally-engaging documentary begins as a journey through the key places and moments in the life of Elvis Presley, from Tupelo to Memphis, Nashville, New York and finally Las Vegas. Filmmaker Eugene Jarecki drives around in Elvis’s Rolls-Royce and passengers join him, some telling stories of being Elvis’s friend, neighbour or fellow churchgoer, some famous faces talking about celebrity and politics, others just playing a tune. Continue reading