A good solid crowd pleasing film to start off my film festival journey for 2026. It came highly recommended by my MIFF buddy Kyle, which is not always a good thing as it raises your expectations.
Continue readingFlies (Moscas) (2026)
StandardRose of Nevada (2025)
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I haven’t seen a Mark Jenkin film before (Enys Men (2022), Bait (2019)) and so I wasn’t quite prepared for the lo-fi Bolex camera vibes of Rose of Nevada.
Continue readingMaterialists (2025)
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How many people will go along to this new film by Céline Song (Past Lives) after seeing the winsome social media promos by stars Dakota Johnson, Pedro Pascal and Chris Evans and expect a standard romcom?
Continue reading(Not Only Fred Dagg) But Also John Clarke (2025)
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You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
Continue readingSaló, or the 120 Days of Sodom (1975)
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Pier Paolo Pasolini’s infamous film is one of those that looms large in film studies class. Like L’Age d’Or (1930) and Un Chien Andalou (1929), this was talked about as the most depraved film ever made. The one that couldn’t be shown in so many countries.
Continue readingOne Battle After Another (2025)
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Eddington (2025)
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This feels like Ari Aster trying to do a Coen brothers film. And not really succeeding.
Continue readingDracula: A Love Tale (2025)
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This started off like Dracula: Origins, and I thought, well that’s interesting, but it felt like Luc Besson couldn’t help himself by turning it into a spectacle that achieved less than hoped.
Continue readingDJ Ahmet (2025)
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This is one of those lovely, quirky films about a country you probably don’t know much about that balances humour with some serious themes.
Continue readingA Private Life (Vie Privée) (2025)
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There is a lot to love about this stylish French psychological drama which delves into the charms and failings of psychoanalysis and the difficulties when we don’t heed our own advice.
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