Wow. This is one of those festival films that you probably wont get to see it elsewhere. It is wordless and created entirely from 1-2 second clips from fictional movies set during WWII and the Holocaust.
Continue readingHolofiction (2025)
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What a great film! I was sure I had seen it before but I absolutely hadn’t. And what I didn’t realise was that the person who shot Andy Warhol was Valerie Solanas! I feel like a bad feminist for not putting two and two together.
Continue readingThe Man with the Golden Arm (1955)
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This is not The Man with the Golden Gun. I think in the back of my brain I thought that’s what I was booking, a James Bond film.
Continue readingYellow Letters (Gelbe Briefe) (2026)
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This hooked me from the moment it showed a dramatic title card that made it clear that it was being filmed in Berlin but we should consider this was Ankara in Turkey.
Continue readingTo Hold a Mountain (2026)
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I couldn’t help but think of Honeyland (2019) while watching this slow and sparse documentary about farmers on an isolated Montenegrin mountain.
Continue readingFlies (Moscas) (2026)
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A good solid crowd pleasing film to start off my film festival journey for 2026. It came highly recommended by my MIFF buddy Kyle, which is not always a good thing as it raises your expectations.
Continue readingRose of Nevada (2025)
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I haven’t seen a Mark Jenkin film before (Enys Men (2022), Bait (2019)) and so I wasn’t quite prepared for the lo-fi Bolex camera vibes of Rose of Nevada.
Continue readingMaterialists (2025)
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How many people will go along to this new film by Céline Song (Past Lives) after seeing the winsome social media promos by stars Dakota Johnson, Pedro Pascal and Chris Evans and expect a standard romcom?
Continue reading(Not Only Fred Dagg) But Also John Clarke (2025)
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You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
Continue readingSaló, or the 120 Days of Sodom (1975)
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Pier Paolo Pasolini’s infamous film is one of those that looms large in film studies class. Like L’Age d’Or (1930) and Un Chien Andalou (1929), this was talked about as the most depraved film ever made. The one that couldn’t be shown in so many countries.
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