

This is not The Man with the Golden Gun. I think in the back of my brain I thought that’s what I was booking, a James Bond film.
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This is not The Man with the Golden Gun. I think in the back of my brain I thought that’s what I was booking, a James Bond film.
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This hooked me from the moment it showed a dramatic title card that made it clear that it was being filmed in Berlin but we should consider this was Ankara in Turkey.
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I couldn’t help but think of Honeyland (2019) while watching this slow and sparse documentary about farmers on an isolated Montenegrin mountain.
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A good solid crowd pleasing film to start off my film festival journey for 2026. It came highly recommended by my MIFF buddy Kyle, which is not always a good thing as it raises your expectations.
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I haven’t seen a Mark Jenkin film before (Enys Men (2022), Bait (2019)) and so I wasn’t quite prepared for the lo-fi Bolex camera vibes of Rose of Nevada.
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How many people will go along to this new film by Céline Song (Past Lives) after seeing the winsome social media promos by stars Dakota Johnson, Pedro Pascal and Chris Evans and expect a standard romcom?
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You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
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Pier Paolo Pasolini’s infamous film is one of those that looms large in film studies class. Like L’Age d’Or (1930) and Un Chien Andalou (1929), this was talked about as the most depraved film ever made. The one that couldn’t be shown in so many countries.
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This feels like Ari Aster trying to do a Coen brothers film. And not really succeeding.
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