Image via miff.com.au
I have no idea what this film is about. If there were signs of a meaning, I missed them and felt confounded as the credits rolled. Continue reading
Tower. A Bright Day (2018)
StandardTag Archives: Poland
Mug (Twarz) (2018)
Standard
Image via miff.com.au
Not as blackly comedic as I was expecting, more bleakly tragic, Malgorzata Szumowska’s Mug doesn’t hide its overt criticism of the hypocrisy of religious complacency, as shown by the narrowmindedness of the people of a rural Polish town. Continue reading
Cold War (Zimna Wojna) (2018)
Standard
Image via miff.com.au
Pawel Pawlikowski has crafted a bleak and beautiful tribute to the joys and violence of love and ideology. Continue reading
Fugue (Fuga) (2018)
Standard
Image via miff.com.au
Agnieszka Smoczynska’s credentials as the director of 80s musical about killer mermaids The Lure, got me along to Fugue, her next feature. They couldn’t be more different in tone and style but both have stories that recast women out of familiar stereotypes. Continue reading
Afterimage (2017)
Standard
Image via miff.com.au
I think we are supposed to feel sympathy for Polish artist Wladyslaw Strzeminski (Boguslaw Linda) whose avant-garde art saw him fall out of favour under socialism in the 40s. Continue reading
Spoor (Pokot) (2017)
Standard
Image via miff.com.au
This oddball Polish genre non-conformist feature by Agnieszka Holland had lots to like about it but ultimately felt like less than the sum of its parts. Continue reading
The Lure (2015)
Standard
Some films are built for entertainment rather than deep thought and The Lure is one of them. Described as a “loony genre mash-up of musical, romance and 80s-style horror”, this messy, delightful Polish film about two mermaids who emerge from the deeps to discover adventure in a strip club is a fun and occasionally gory ride. Continue reading
