I found this the hardest prompt of the lot but, in the end, I couldn’t not choose Krzysztof Kieślowski’s Trois Couleurs (Three Colours) trilogy. After Hal Hartley, Kieślowski was my next favourite director and this trilogy was the first time I saw films that interconnected.
Not as blackly comedic as I was expecting, more bleakly tragic, Malgorzata Szumowska’s Mug doesn’t hide its overt criticism of the hypocrisy of religious complacency, as shown by the narrowmindedness of the people of a rural Polish town. Continue reading →
Agnieszka Smoczynska’s credentials as the director of 80s musical about killer mermaids The Lure, got me along to Fugue, her next feature. They couldn’t be more different in tone and style but both have stories that recast women out of familiar stereotypes. Continue reading →
Some films are built for entertainment rather than deep thought and The Lure is one of them. Described as a “loony genre mash-up of musical, romance and 80s-style horror”, this messy, delightful Polish film about two mermaids who emerge from the deeps to discover adventure in a strip club is a fun and occasionally gory ride. Continue reading →
Hmm. I quite liked this quirky Polish drama. Actually I liked it a lot up until the end. Of course I can’t tell you what happens at the end but I’m wondering if my disappointment was because a fellow MIFF-goer had recommended it, saying, “You don’t know where it’s going but it’s all brought together beautifully at the end.” The danger of having expectations. It is a nice ending but overstated, I think. For such a subtle film, it deserved better. Continue reading →