

It was with a small amount of trepidation that I saw this latest from one of my favourite directors Asghar Farhadi (or as Facebook autocaptioning calls him, Glasgow Harvey).
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It was with a small amount of trepidation that I saw this latest from one of my favourite directors Asghar Farhadi (or as Facebook autocaptioning calls him, Glasgow Harvey).
Continue reading

It’s a relief to watch an Asghar Farhadi film that returns to the morally complex form of his earlier films like A Separation (2011) and The Past (2013). His dip into Hollywood with Everybody Knows (2018) was a disappointment for those who love his exploration of Iranian culture.
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Image via miff.com.au
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Asghar Farhadi is an accomplished director and he knows how to tell a good and complex story. His films often show us people who have a veneer of success – jobs, wealth, relationships, family – and are confronted with a moral dilemma that slowly unravels their comfortable lives. Everybody Knows is no exception and, once again, Farhadi has created a film outside of his native Iran. Continue reading

Image via http://www.slantmagazine.com
Written and directed in 2006 by Iranian Asghar Farhadi (A Separation, The Past, The Salesman) this story of a young, engaged, Tehrani woman as she becomes embroiled in a failing marriage has his signature style. We are immersed in the minutiae of an ordinary day with with one character, in this case Roohi (Taraneh Alidoosti – Elly in About Elly and Rana in The Salesman), who is a catalyst and the pivot point around which the story revolves. Continue reading

Image via http://www.rottentomatoes.com
If you have yet to see a Farhadi film, please go out and see one. He is a master at deftly weaving a story that propels you into a world both foreign and heart-breakingly familiar. About Elly, like A Separation and The Past, drops you into the middle of the ordinary dramas of a group of middle class Iranians. Continue reading

Having expectations is always a risk. This is the drama from Iranian director Asghar Farhadi and I loved his last two features – A Separation and The Past. He builds a great story, showing us contemporary Iranian life through the eyes of engaging and totally believable characters. Continue reading