

A good solid crowd pleasing film to start off my film festival journey for 2026. It came highly recommended by my MIFF buddy Kyle, which is not always a good thing as it raises your expectations.
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A good solid crowd pleasing film to start off my film festival journey for 2026. It came highly recommended by my MIFF buddy Kyle, which is not always a good thing as it raises your expectations.
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Amat Escalante’s Lost in the Night feels like an amalgam of Mexican films I have seen over the past few years.
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Lorenzo Vigas pares back dialogue and fills the frame with the vast expanses of Northern Mexico in this contemplative story of loss and separation.
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I walked out of this film thinking “Beautiful. Profound. I have no idea what it’s about.”
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I wanted to like this confronting, dystopian thriller but it is so unrelentingly cynical and brutal that it felt it had nothing new to say.
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Based on the real experiences of a woman seeking justice after her daughter is abducted by a Mexican cartel, Teodora Mihai’s first feature is not so much a revenge thriller as a portrait of indomitable strength amidst unimaginable tragedy.
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This stunning first feature by Ángeles Cruz interweaves the stories of three indigenous women across one festival day in a small village in the Cerro Nudo Mixteco mountainous region between Puebla and Oaxaca in Mexico.
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It’s hard to believe that this compelling drama is the first feature directed by Fernanda Valadez. It is a beautifully constructed film that pulls you in by various threads into a story of mothers and sons, broken by a cruel society.
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Image via http://www.lonelyplanet.com
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The film that should have won the best picture Oscar, Alfonso Cuarón’s sublime meditation on the life of an indigenous maid in 1970s Mexico city is filmmaking at its best. Continue reading