Delicious (Delicieux) (2021)

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Don’t watch this film hungry. With all the warmth and savour of other European foodie films like Chocolat (2000) and Babette’s Feast (1987), Éric Besnard’s Delicieux weaves a gentle story about the French Revolution in the guise of a tale about gastronomy, forgiveness and independence.

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The Extraordinary (Hors Normes) (2019)




I wasn’t expecting to love this feature, by writer directors Olivier Nakache and Éric Toledano, so much. Their huge hit The Intouchables (2011) achieved all the right notes of feel-good, odd couple drama with a social subtext and rarely overplayed its hand. It felt like an elegant and understated Hollywood pic though and it is unsurprising that it was re-made in 2017 as The Upside (which I can’t bear to watch). I was expecting the same with The Extraordinary and so was unprepared for its social and emotional depth and understated authenticity. Continue reading