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The Dardenne brothers are respected auteurs for their social realist dramas but it feels like they weren’t the right ones to tackle this story of young idealism turned into fundamentalism. Continue reading
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I booked this one without knowing much about the film, enticed primarily by the live soundtrack by Sampa the Great and the story about being a young, poor, black French woman, with all its beauty and tragedy. Continue reading
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The perfect film to see at a midnight screening, Quentin Dupieux’s Deerskin is a wry and disturbing romp that never takes itself seriously. Continue reading
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Jacques Audriard (Personal Shopper) has created a serviceable yet unremarkable Western that seems to delight in perpetuating well-worn tropes. Continue reading
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Climax is a drug-infused, sweaty and self-indulgent nightmare. It immerses you in a single night with a bunch of unlikable dancers as bad things happen to them. Continue reading
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I wasn’t expecting to be charmed by Christian Petzold’s inventive rethinking of a well-worn World War II movie trope. To all intents and purposes, it is a period drama akin to Casablanca, complete with third-person narration, a mysterious dame and uniformed guards with dogs. However, the backdrop is inexplicably and unapologetically modern day France. Continue reading
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It is the unflinchingly scrutiny of the doleful Sofia’s face that made this film for me. Behind that impassive mask, that became animated only at certain moments, I could see the naivete that had brought Sofia to this untenable point in her life. Continue reading
