Transit (2018)

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Image via miff.com.au

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I wasn’t expecting to be charmed by Christian Petzold’s inventive rethinking of a well-worn World War II movie trope. To all intents and purposes, it is a period drama akin to Casablanca, complete with third-person narration, a mysterious dame and uniformed guards with dogs. However, the backdrop is inexplicably and unapologetically modern day France. Continue reading

Sofia (2018)

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Sofia

Image via miff.com.au

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It is the unflinchingly scrutiny of the doleful Sofia’s face that made this film for me. Behind that impassive mask, that became animated only at certain moments, I could see the naivete that had brought Sofia to this untenable point in her life. Continue reading