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The 80s weren’t a great time for female characters in teen cinema. Continue reading
Image via miff.com.au
The 80s weren’t a great time for female characters in teen cinema. Continue reading
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Like an episode of Midsomer Murders but painted, this misguided commodification of the art of Vincent Van Gogh is devoid of any real exploration of the artist or his art. Proudly stating upfront that each frame has been hand painted, the gimmick is at first intriguing but soon becomes a distraction. It can’t hide the insubstantial plot, dodgy accents and lack of drama. Continue reading
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Passengers is a neat example of how female characters are stereotyped in Hollywood films. With only four named characters of substance, it’s not surprisingly that only one is female, Aurora Lane (Jennifer Lawrence). Her role is to meet the romantic and sexual needs of the hero, Jim Preston (Chris Pratt), and to provide a framework for the essential goodness and heroism of his masculinity by personifying the worst of archetypal femininity. If you plan on seeing this film, and I wouldn’t rush out to do so, perhaps read no further. I won’t give away any plot points that aren’t obvious from the outset but I will probably say enough about the characters that you have a pretty good idea of the entire film. So, spoilers. Continue reading
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Who makes the best action hero, Lara Croft (Angelina Jolie) in Lara Croft: Tomb Raider (2001) or Alice (Mila Jovovich) in Resident Evil (2002)? Made a year apart and both based on female protagonists in popular video games, this week we watched both for some vicarious bad-ass women thrills. Continue reading
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You know how there are some great animated movies that are a joy to watch for kids and adults alike? Ballerina is not one of them. I was dragged to see it by my 10-year-old daughter as it looked like it was, at least, a story about a plucky girl with self-determination. When we emerged two hours later, my daughter declared, “There was just so much wrong with it!” Continue reading
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Okay, maybe not all VR is brilliant. This overly complicated and clunky 20-minute ‘pilot episode’ of a private eye noir-esque story left me unsatisfied. Our group was worded up beforehand that there would be clues to observe, a puzzle to solve and moments where we must make a choice between two elements of the story. I was a bit worried that I would miss things and maybe I did because it didn’t really make much sense to me. Continue reading
Oh Pedro, what has happened to the drama in your melodrama? This latest from Pedro Almodóvar is a dynamically flat story of Julieta, a woman whose daughter, Antía, has become estranged from her. Through flashback, we see Julieta meeting and falling in love with Xoan, a fisherman. We see their daughter growing up, the artist friend who is Xoan’s occasional lover, their disapproving housekeeper and Julieta’s father and ill mother. And we see the trauma that sets in train Antía’s rejection of her past. Continue reading