Image via http://www.indiewire.com
Hirokazu Kore-Eda has crafted a deceptively complex story within a film that feels as airy as a soufflé. Continue reading
The Truth (La Vérité) (2019)
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We Are Little Zombies (Wî â Ritoru Zonbîzu) (2019)
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Image via miff.com.au
Told in a Wes Anderson-esque tableau style, Makoto Nagahisa’s We Are Little Zombies is a visual onslaught that frames childhood grief as a computer game, with avatars, quests, save points and perhaps even a chance of a game reset. Continue reading
His Lost Name (Yoake) (2018)
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Image via miff.com.au
This understated and enigmatic drama by Nanako Hirose is surprisingly meditative and captivating, although occasionally frustrating and ultimately unsatisfying. Continue reading
Our House (Watashitachi no ie) (2017)
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Image via miff.com.au
Director Yui Kiyohara’s debut feature, Our House, has a quite restraint that adds a lyrical quality to its abstruse narrative. Continue reading
Ryuichi Sakamoto: Coda (2017)
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Image via miff.com.au
My film before this one, Ukrainian Donbass, was an unrelenting, grubby onslaught of caricature, corruption and violence. Following it with 100 minutes with Ryuichi Sakamoto was like a balm for the heart and soul. Continue reading
High Heels Revolution! (Hai Hîru kakumei!) (2016)
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Image via japanesefilmfestival.net
It was the topic that drew me to this documentary. Kaoru grew up in Japan, assigned a boy at birth but always feeling like a girl. As an adult, and now called Natsuki, she narrates her early life at school and the challenges of admitting, and being accepted for, who she really is. Interspersed with reenacted drama, this is an engaging story that teaches us about gender identity and expression in Japan, and leaves us pondering about gender roles in relationships. Continue reading
Ancien and the Magic Tablet
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Image via japanesefilmfestival.net
It was a feelgood Sunday for me at the Japanese Film Festival with two charmers – My Uncle and this animation that also showed at MIFF this year. Aimed at kids, it is a two-layered story about Kokone (voiced by Mitsuki Takahata), whose father Momo (Yôsuke Eguchi) repairs cars, and Princess Ancien, whose magic tablet allows her to give life to objects in the beleaguered kingdom of Heartland. Continue reading
