

It feels rare to watch a film that centres itself on female friendship. This seems to be an important element in this gentle drama, an underlying message about the persistence of community.
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It feels rare to watch a film that centres itself on female friendship. This seems to be an important element in this gentle drama, an underlying message about the persistence of community.
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Before seeing this film, someone in a film queue told me that, of course this wouldn’t be a film about concrete.
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Māori and gothic horror are major tick boxes for me, particularly when I see an image like the one above.
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This was such a contrast to AnyMart (2026) which hid its horror shocks behind a whole lot of scene development. Species – or Blood as its original title translates – hits you with it in the first act and is delightfully gory and darkly comedic.
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It felt like I was entering the same kind of world as Past Future Continuous but with a much more authentic pay off.
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Well, this one snuck up on me. It feels like a pretty standard documentary, set in one of a handful of schools in South Korea that are set up specifically for the children of defectors from North Korea.
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I’m on day 15 of the Melbourne Film Festival and probably film number 50 and so it’s a rarity to watch one that feels rejuvenating.
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This will hit you in the feels if you are at all a fan of Mary Oliver‘s poetry and make you want to go out and buy one of her books if you are not.
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There is a warning at the start of this film that it contains references to child sexual abuse and so you know it is going to be potentially a tough watch.
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This was perfect late night horror fare. The gore factor was excellent without being overwhelming and there were some great comedic moments and set pieces to balance it out.
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