Image via http://www.thechronicle.com.au
This psychological thriller compellingly portrays the reality of toxic relationships and doesn’t let up from start to end. Continue reading
The Invisible Man (2020)
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The Translators (Les Traducteurs) (2019)
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Image via http://www.palacefilms.com.au
I like the resurgence of clever whodunnits, particularly the ones that are character-driven and unpredictable. With The Translators, director Régis Roinsard takes an unlikely but compelling story and fills it with dense narrative, quirky characters and some truly unexpected plot twists. Continue reading
Adam (2019)
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Image via miff.com.au
Like a sweet, golden, flaky pastry served with a bitter coffee, Maryam Touzani’s Adam is full of warmth, sorrow and satisfaction. Continue reading
The Lodge (2019)
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Image via miff.com.au
Austrian directors Severin Fiala and Veronika Franz have crafted a frosty and compelling suspense with horror overtones. It surpasses Hereditary (2018) with its eery themes of rural isolation and family dysfunction. Continue reading
We Are Little Zombies (Wî â Ritoru Zonbîzu) (2019)
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Image via miff.com.au
Told in a Wes Anderson-esque tableau style, Makoto Nagahisa’s We Are Little Zombies is a visual onslaught that frames childhood grief as a computer game, with avatars, quests, save points and perhaps even a chance of a game reset. Continue reading
Take Me Somewhere Nice (2019)
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Image via miff.com.au
“The hardest thing in life is letting go of those you hold dear. After that, everything is easy.” Continue reading
Little Monsters (2019)
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Image via miff.com.au
The Centrepiece Gala had me at ‘ukulele’ and ‘zombies’. Abe Forsyth’s zom-com doesn’t take itself too seriously and is full of laugh-out-loud dialogue and devastatingly winsome performances from Lupita Nyong’o, Alexander England and a class full of kindergarten kids. Continue reading
