

Yesterday I watched the film that this is a remake of – Chabrol’s The Unfaithful Wife. I suspect it kept me intellectually rather than emotionally engaged with the story.
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Yesterday I watched the film that this is a remake of – Chabrol’s The Unfaithful Wife. I suspect it kept me intellectually rather than emotionally engaged with the story.
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This seems to be a theme in the films that I am watching at the Melbourne Film Festival that when people have power they will abuse it, and by people I mean men.
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This hooked me from the moment it showed a dramatic title card that made it clear that it was being filmed in Berlin but we should consider this was Ankara in Turkey.
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You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
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This often frustrating but increasingly compelling documentary packs a punch by the end. This was especially resonant after attending a huge rally outside the cinema to protest Israel’s occupation of the Palestinian territories.
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I’m not sure that I expected much from this horror comedy, other than a lot of lighthearted laughs.
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Is this the best use of Ravel’s Bolero in a movie? You can just imagine the discordant crash of the ending.
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Oh boy, this wasn’t at all what I was expecting. I nearly skipped out of it because it was on at 10:15am on the 14th day of the festival and I really could’ve used a sleep in.
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By the 14th or so day of a film festival after four films a day, it gets to a point where you are hoping your 9.30pm film will have a little bit of pace and drama and action to keep you awake.
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