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Although set in a single room, Gustav Möller’s first feature cranks up the tension with a layered and intense story. Continue reading
The Guilty (Den Skyldige) (2018)
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Girl (2018)
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For anyone feeling that “this gender thing has gone too far”, this low-key, intense Belgian drama about a 15 year old girl, born with the body of a boy and trying to be herself, may go some way to help you understand. Continue reading
Los Silencios (2018)
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Unrolling like a gentle dream, Beatriz Seigner’s Los Silencios takes the serious subject of the displacement of Colombian refugees and tells it in a lyrical and ethereal way. Continue reading
The Merger (2018)
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If you’re in the mood for a feelgood Aussie flick that celebrates footy, country towns and mateship then The Merger will not disappoint. Filmed in around Wagga Wagga in the fictional town of Bodgy Creek, like its second-cousin-once-removed The Castle, it tells of underdogs fighting for a fair go. Continue reading
Matangi/Maya/M.I.A. (2018)
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Pretty much all I knew about Matangi a.k.a. Maya Arulpragasm a.k.a. M.I.A. is the song Bad Girls. The anthem to girls doing whatever they want has a killer video clip of stunt drivers in the Middle East and M.I.A. resplendent in shades and gold chains. I now know there is so much more to her than this song and her Grammy and Oscar nominations. Continue reading
And Breathe Normally (Andidh Edhlilega) (2018)
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This debut feature from Iceland’s Isold Uggadottir takes a small moment in the lives of two very different women and spins a delicate and nuanced story of oppression and connection. Continue reading
Transit (2018)
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I wasn’t expecting to be charmed by Christian Petzold’s inventive rethinking of a well-worn World War II movie trope. To all intents and purposes, it is a period drama akin to Casablanca, complete with third-person narration, a mysterious dame and uniformed guards with dogs. However, the backdrop is inexplicably and unapologetically modern day France. Continue reading
