Professor Marston and the Wonder Women (2017)

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Image via cinemasiren.com

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I’ll go out on a limb and say the best way to make a film about women is to have one direct it. The fact that the title and trailer of this film focused on William Moulton Marston, the creator of Wonder Woman and co-inventor of the lie detector, led me to suspect that this might be another hagiography of a bloke who supported women’s rights. Happily it is definitely not. It is a sexy tale that places the women firmly in the centre and has given me a new appreciation of Wonder Woman. Continue reading

Negar (2017)

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Image via filcin.com

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Introduced by the director of the Iranian Film Festival Australia (IFFA) as a rare example of an Iranian action film, I expected a touch of Hollywood and a breakneck pace but Negar was much more. Better described as a subdued psychological thriller, Negar weaves a fragmented but compelling story as the eponymous heroine struggles to understand her father’s apparent suicide. Continue reading

Mother! (2017)

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Like a Lanthimos film in a fever dream, Mother! is Darren Aronofsky at his most grandiose. Receiving both boos and standing ovations at festivals, this is a film you will either love or loathe. Obtuse, metaphorical and surreal, its central female character and dark vision held my attention throughout, only faltering as the worthy but somewhat prosaic meaning became clear. Continue reading