So much more than a sport documentary, Justine Moyle has managed to show the exquisite pain and beauty that is the coming of age of Australian park skateboarding star and all-round decent human being, Poppy Starr Olsen.
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Emma Dante has created a beautiful and affecting film version of her play about five Sicilian sisters, forever changed by a tragedy.
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An interesting documentary about the female pioneers of electronic music that succeeds in elevating their names without necessarily providing a context for their work within the wider genre or their impact on contemporary music.
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The Irish Film Festival Australia is streaming online; a glorious chance to drink Guinness, cook Irish food and immerse ourselves in Irish culture and stories. Emer Reynolds’ warm-hearted hagiography of Thin Lizzy front man Phil Lynott is a welcome elevation of his music and the difficulties of being “the only black boy in Dublin in the 50s” rather than the tragic ignominy of his death.
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First-time feature documentary director Kier-La Janisse gives us a fascinating deep dive into the world of ‘folk horror’ films and what they say about fear, colonialism and the ‘other’.
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It’s hard not to like this unashamed hagiography of furniture salesman and Melbourne icon, Franco Cozzo.
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Messy, arty and wry, this mockumentary by Bill Benz weaves the true-life friendship of Carrie Brownstein and Annie Clark, stage-name St. Vincent, with a rumination on fame, identity and artifice.
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This simple and joyful film, ostensibly about a young band trying to navigate flood waters to get to Tehran for an audition, hides a deeper meaning about the challenges for young Iranians.
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Like a black and white Amelie (2001) without the whimsy, French director and graphic novelist Nine Antico’s first feature tracks the travails of hapless Sophie (Sara Forestier) as she searches for love.
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Director Shelly Silver takes a simple premise – to interview young women about the art they are seeing in a gallery – and creates an absorbing commentary on female representation and its effects.
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