

There might need to be a content warning on Leah Nelson’s beautiful and heartfelt film that if you have experienced the loss of a parent, particularly to old age or long illness, it might make you cry.
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There might need to be a content warning on Leah Nelson’s beautiful and heartfelt film that if you have experienced the loss of a parent, particularly to old age or long illness, it might make you cry.
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It feels rare to watch a film that centres itself on female friendship. This seems to be an important element in this gentle drama, an underlying message about the persistence of community.
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What a hoot! I knew this was going to be a little bit absurdist and a lot camp and I thoroughly enjoyed every stylish and silly moment.
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This was such a contrast to AnyMart (2026) which hid its horror shocks behind a whole lot of scene development. Species – or Blood as its original title translates – hits you with it in the first act and is delightfully gory and darkly comedic.
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It felt like I was entering the same kind of world as Past Future Continuous but with a much more authentic pay off.
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Seeing the Australian premiere of Paloma Schneideman’s first feature film meant the audience was keyed up for a good time, laughing at every joke.
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People die, glaciers die, here’s some more footage of my family. Perhaps if I’d been less tired, I might have sunk into Sara Dosa’s cyclical story of climate change and the inevitability of loss.
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I felt duty bound to see this film by Mahnaz Mohammadi, supporting the sisterhood by going to see a film that said from the outset that it was about a woman being tortured in an Iranian prison.
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This will hit you in the feels if you are at all a fan of Mary Oliver‘s poetry and make you want to go out and buy one of her books if you are not.
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There is a warning at the start of this film that it contains references to child sexual abuse and so you know it is going to be potentially a tough watch.
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