Fukushima, Mon Amour (Grüße aus Fukushima) (2016)

Standard

Screening as part of the German Film Festival (that finishes this week in Melbourne), Doris Dörrie writes and directs this homage to the Alain Resnais film Hiroshima Mon Amour and a love letter to the people of Fukushima. Shot in black and white, this begins as a slight tale of a German girl, Marie (Rosalie Thomass), trying to escape her memories amongst those cast adrift in the wastelands of Fukushima, two years after the earthquake and nuclear disaster. Continue reading

Toni Erdmann (2016)

Standard

TONI-ERDMANN-1

I nearly didn’t see this film. Thank you to MIFF buddy Alex #2 who encouraged me to book this encore screening after I had ditched an earlier screening in exchange for a bit of sleep. I loved it. Laugh out loud loved it. Now I want to see more of Maren Ade’s films. This film revolves around Winfried and his adult daughter Ines. Through steady and wry observation, we see the dynamics between them, the effect of a separation and what their early years together might have been like. They seem very different now; he always finding humour in the everyday, she trying so hard to be a competent adult. Continue reading

The White Ribbon (Das Weisse Band)

Standard

Here’s a bit of insight into living on a farm. We get our internet via satellite, which has never been as good as ADSL but it has been the only broadband option for us other than Telstra mobile. We were offered NBN satellite a couple of years ago which upped our monthly limit from 6GB to 60GB and guaranteed a speed increase over several years to rival city access. Then the government changed. About a year ago we got a letter from our ISP saying NBN satellite was oversubscribed and so they were being forced to restrict speeds and limits. Now we are down to 20GB and speeds are so slow that websites take forever and we don’t bother with videos. So what does that have to do with The White Ribbon, I hear you ask? Continue reading

Phoenix

Standard

I quite enjoyed this German drama about a woman, Nelly, disfigured in a concentration camp whose facial reconstruction surgery alters her so much her husband fails to recognise her. She has been physically and emotionally shattered by her experiences, all her family have perished but her husband has survived. She is desperate to find him only to discover that he was the reason she was arrested. Sensing her similarity to his wife, who he believes is dead, he persuades her to pretend to be his wife and so he can inherit her fortune. Continue reading