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Having just watched Phoebe Waller-Bridge’s Crashing (2016) (available on Netflix), I am now a big fan of her vulnerable, heartfelt comedy. The two seasons of her TV show Fleabag (2016-17) are on my to-watch-list, delayed only by the need to purchase them. It seemed apt to see the one person show that began Fleabag’s story and thank goodness for Cinema Nova for screening National Theatre live versions of hit shows, including this one. Continue reading
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Austrian directors Severin Fiala and Veronika Franz have crafted a frosty and compelling suspense with horror overtones. It surpasses Hereditary (2018) with its eery themes of rural isolation and family dysfunction. Continue reading
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This was not at all what I expected. My tendency is to skim over a synopsis if there are some key trigger words – in this case Tilda Swinton and Richard Ayoade. I think I was expecting something akin to the polished drawing-room drama of Sally Potter’s The Party (2017). It couldn’t have been more different. Continue reading
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Written by Julian Fellowes (Downton Abbey) and starring our favourite Countess, Elizabeth McGovern, this gentle bio pic of female friendship and emancipation delivers what it promises. Continue reading
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Bill Nighy. Scrabble. Frank Cottrell Boyce. A winning combination as far as I’m concerned and Sometimes Always Never has the stylistically quirkiness of a Wes Anderson film but with depth and a gentle warmth. Continue reading
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A Christmas-themed zombie musical set in a British high school? I couldn’t buy my ticket fast enough and John McPhail’s endearing comedy, packed with just the right amount of gore and catchy tunes, didn’t disappoint. Continue reading
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There is something to be said for a film that left me left me wanting to go home and make clothes. Ian Bonhôte and Peter Ettedgui’s documentary about fashion enfant terrible Lee (Alexander) McQueen is equal parts inspiring and devastating. Continue reading
