

There might need to be a content warning on Leah Nelson’s beautiful and heartfelt film that if you have experienced the loss of a parent, particularly to old age or long illness, it might make you cry.
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There might need to be a content warning on Leah Nelson’s beautiful and heartfelt film that if you have experienced the loss of a parent, particularly to old age or long illness, it might make you cry.
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It’s hard to know how to appreciate films that are so much of their time. This film by William Klein, who is more often known as a fashion photographer, was made in the 60s as a satire of the fashion industry.
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This feels like a perfectly crafted film. As my friend Ariel said, not a single second is wasted. And at only 82 minutes, it shows how well you can tell a story without making it an epic.
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This is one of the Kim Novak retrospective films, and I have a newfound appreciation for her.
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You know I love a black-and-white film, and pretty much any film with Sandra Hüller.
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What a crazy movie. If you know anything about Brazilian history, you will probably not feel quite as lost as I did.
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This is not The Man with the Golden Gun. I think in the back of my brain I thought that’s what I was booking, a James Bond film.
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A good solid crowd pleasing film to start off my film festival journey for 2026. It came highly recommended by my MIFF buddy Kyle, which is not always a good thing as it raises your expectations.
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I’m a Wisemen fa-an (why do I hear Susan Sarandon in I Can Make You a Man when I say this line?). Okay I’ve only seen two but I loved Menus-Plaisirs so much that I think I would like anything Frederick Wiseman makes.
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