Image via miff.com.au
A black and white oddity, this restored copy of the 1990 film by American Nietzchka Keene is known primarily as singer Björk’s first feature film. Continue reading
The Juniper Tree (1990)
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Song Without a Name (Canción Sin Nombre) (2019)
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Image via miff.com.au
It’s hard not to leave this sparse and atmospheric Peruvian drama feeling desolate. Likened to Roma (2018) for its lush black-and-white cinematography and focus on an indigenous woman in central America, it is profoundly moving but a more fragmented and opaque experience. Continue reading
What You Gonna Do When the World’s on Fire? (2018)
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Documentaries like this one aren’t an easy ride. You are dropped into the middle of a cluster of stories with no context, narration nor exposition to help you understand where you are. You have to have the patience to sit back and let the stories unfurl and the characters to worm their way into your heart. Continue reading
Hotel By The River (Gang-byun Hotel) (2019)
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A credible source told me that director Hong Sang-soo doesn’t mind if you nap in his films. Hotel by the River’s quiet contemplation lulled me into a few lengthy blinks so I missed a little of its wry, slow narrative. Continue reading
Roma (2018)
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The film that should have won the best picture Oscar, Alfonso Cuarón’s sublime meditation on the life of an indigenous maid in 1970s Mexico city is filmmaking at its best. Continue reading
[Censored] (2018)
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Sari Braithwaite’s hour long introspective documentary built from clips cut out of films by the Australian Censor Board goes some way to exploring the notion of censorship. Continue reading
The Women (1939)
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Revisiting this gorgeous example of an era in Hollywood when women’s films gave women agency, though with limitations, was an indulgent treat. It is one of my favourite films of the time and beautifully captures how women can be contained and yet will always seek to subvert their boundaries. Continue reading
