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Having just watched Phoebe Waller-Bridge’s Crashing (2016) (available on Netflix), I am now a big fan of her vulnerable, heartfelt comedy. The two seasons of her TV show Fleabag (2016-17) are on my to-watch-list, delayed only by the need to purchase them. It seemed apt to see the one person show that began Fleabag’s story and thank goodness for Cinema Nova for screening National Theatre live versions of hit shows, including this one. Continue reading
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I like the resurgence of clever whodunnits, particularly the ones that are character-driven and unpredictable. With The Translators, director Régis Roinsard takes an unlikely but compelling story and fills it with dense narrative, quirky characters and some truly unexpected plot twists. Continue reading
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What a delight this wacky film is, steeped in saturated pastels and sharp, contemporary satire. Continue reading
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Like a sweet, golden, flaky pastry served with a bitter coffee, Maryam Touzani’s Adam is full of warmth, sorrow and satisfaction. Continue reading
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Austrian directors Severin Fiala and Veronika Franz have crafted a frosty and compelling suspense with horror overtones. It surpasses Hereditary (2018) with its eery themes of rural isolation and family dysfunction. Continue reading
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Dark Place is an anthology of short, horror films by Australian Indigenous filmmakers and it’s an indictment of Australia that they don’t need to exaggerate reality much for it to be horror. Continue reading
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This understated and enigmatic drama by Nanako Hirose is surprisingly meditative and captivating, although occasionally frustrating and ultimately unsatisfying. Continue reading
