This quite astounding docudrama by brothers Bill and Turner Ross seems to coalesce all that is precious and precarious about the US on the brink of the 2016 election that saw Trump come to power and the lives of the powerless crumble.
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I’m not sure what I was expecting with this low-key Canadian documentary by Jean-François Lesage that uses the lost and found office at the Montreal metro as a jumping off point for a meditation on loss. From the first bleak and beautiful scene of snow falling against a night sky as a clarinet mournfully plays, you know this is going to be about more than a lost mitten.
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A documentary about Colonia Dignidad, the German fundamentalist evangelical cult based in a Chilean rural compound and led by subsequently convicted paedophile Paul Schäfer, seems to promise shock and horror at the uncovering of the many atrocities that happened there in the 60s and 70s. Directors Marianne Hougen-Moraga and Estephan Wagner manage instead to craft a contemplative and non-didactic meditation on human nature, trauma and denial.
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Who knew that the comedy 9 to 5 (1980) was based on an actual grassroots organisation that began in the 70s to advocate for fair work conditions for (mainly female) clerical workers?
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I was expecting a somewhat easy ride from this Irish thriller starring GOT villain Aiden Gillen. Its slow and sparse storytelling occasionally faltered but it sucked me right in to its compelling and unsettling tale.
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It’s good to start a film festival on a high and this sweet, sexy, lyrical and hopeful first feature by Faraz Shariat hit just the right note.
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It’s a rare treat to see a mainstream Hollywood film where so many of the leads are women of colour. Lorene Scafaria’s Hustlers takes a true story of a group of women in the late 2000s, who survive the financial crash by fleecing businessman, and turns it into a warm and vibrant story of female friendship. Continue reading
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I went in expecting an over-sugared gingerbread house of a romantic comedy but forgot this was British and written by Emma Thompson and partner Greg Wise. It’s fun and witty and the Christmas theme is front and centre, as is the always delightful music of George Michael that weaves a spell throughout. Continue reading
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Nicolas Cage, you seem to have made your way out the other side of the Hollywood leading man stereotype and into something rather delightful. Continue reading
Image via http://www.indiewire.com
Hirokazu Kore-Eda has crafted a deceptively complex story within a film that feels as airy as a soufflé. Continue reading
