Image via http://www.indiewire.com
I’ll declare a bias upfront: I’m a Taika Waititi fan. From Boy (2010) and Eagle vs. Shark (2007) to What We Do in the Shadows (2014) and Hunt for the Wilderpeople (2016), his dry, droll, irreverent humour never fails to win me over. He even made a superhero movie watchable with Thor: Ragnarok (2017) mostly not taking itself too seriously. Continue reading
Image via miff.com.au
I was primed for this New Zealand musical as a line of Maori singers serenaded the queue as we waited and they walked into the cinema. I was a tad disappointed when I realised they were there for For My Father’s Kingdom in Kino 1 and Daffodils was going to be a bit more pakeha. Continue reading
Image via miff.com.au
“Compromise is part of being colonial. You have to compromise to survive.” This underlying message, spoken by filmmaker and director Hepi Mita’s mum, Merata Mita, plays out in this lovingly constructed homage to whanau (family), Maori culture and Merata. Continue reading
Image via miff.com.au
This Kiwi creation takes you into the world of aspiring rugby player 18-year-old Hemi. His dream to play for New Zealand is tempered by a need for him to be able to connect with his Maori culture and fully understand and engage with the Haka before he can be ready for such a step. Continue reading
Image via miff.com.au
This surprising New Zealand drama set on a remote sub-antarctic island focuses on three separate view points of one story. Continue reading
Image from Spirited Away via http://www.neogaf.com
If you’ve got kids living at home, you’ll know the struggle to find a movie that the whole family can watch and enjoy that isn’t overloaded with Disney cuteness. We all know about the big blockbuster movies but here are a handful of lesser known PG movies that have been on high rotation in our household. Continue reading
The what-a-people? Full of memorable, quotable lines that are all the funnier for being in a Kiwi accent, there is nothing really to dislike about this sweet New Zealand comic drama by Taika Waititi, director of What We Do in the Shadows and Boy, two of my favourite Kiwi films. You’ll recognise Taika as he also often features in his films – Viago in Shadows, Alamein in Boy and the minister in Wilderpeople. Continue reading
MIFF announced some surprise screenings on the last day. These are films that weren’t part of the festival program and were a mixture of classics – Abbas Kiarostami’s A Taste of Cherry to mark his passing last month – and new films like this New Zealand drama that had just premiered at the NZ Film Festival and been chosen for the New York Film Festival. It’s based on a book by Eleanor Catton, author of the much better know The Luminaries so it has some credentials. Overall it was a pleasant experience though I was left wondering what the film was really about. Continue reading
Lee Tamahori, who directed Once Were Warriors, brings Temuera Morrison back to the screen, this time in a family-friendly poignant tale of patriarchy, set in 1950s rural New Zealand and based on a novel by Whale Rider author, Witi Ihimaera. The warm tones, beautiful rendering of the rural life of the time and great characters make this an enjoyable and thought-provoking tale. Continue reading
Yes I know this film is nearly 25 years old – can you believe that? – but I am implementing an ad hoc program to introduce my girls to significant films from the past. Ron’s doing the same, Terminator 2 has become Tallulah’s favourite action film.
I haven’t seen The Piano for about 20 years and I remember having mixed feelings about it. I was a serious photography student at the time and the visual aesthetic and music had a big impact on me and on many other visual artists at the time. I remember being a bit uncomfortable about the gender roles but not enough to think negatively about the film. Continue reading
