Image via miff.com.au
I was primed for this New Zealand musical as a line of Maori singers serenaded the queue as we waited and they walked into the cinema. I was a tad disappointed when I realised they were there for For My Father’s Kingdom in Kino 1 and Daffodils was going to be a bit more pakeha. Continue reading
Image via miff.com.au
A black and white oddity, this restored copy of the 1990 film by American Nietzchka Keene is known primarily as singer Björk’s first feature film. Continue reading
Image via miff.com.au
The Dardenne brothers are respected auteurs for their social realist dramas but it feels like they weren’t the right ones to tackle this story of young idealism turned into fundamentalism. Continue reading
Image via miff.com.au
The Killing Fields (1984) was an influential movie for me. I was 19 when it came out and it was my first experience of the atrocities of Pol Pot in Cambodia and the eradication of 2 million people. Funan covers the same story, focusing on one family who are forced to flee Phnom Penh by the Khmer Rouge (or Angkar). Continue reading
Image via miff.com.au
A credible source told me that director Hong Sang-soo doesn’t mind if you nap in his films. Hotel by the River’s quiet contemplation lulled me into a few lengthy blinks so I missed a little of its wry, slow narrative. Continue reading
Image via http://www.statecinema.com.au
It was worth a shot. This oddball indie film is a tour de force by writer, director and star Jim Cummings. I enjoyed the ride and only felt let down by its denouement that seems to undermine the realities of family violence. Continue reading
Image via http://www.statecinema.com.au
Written by Julian Fellowes (Downton Abbey) and starring our favourite Countess, Elizabeth McGovern, this gentle bio pic of female friendship and emancipation delivers what it promises. Continue reading
