

This artful satire by writer/director/star Amalia Ulman almost works but I couldn’t help feeling I was missing the point.
Continue readingThis artful satire by writer/director/star Amalia Ulman almost works but I couldn’t help feeling I was missing the point.
Continue readingJaco Bouwer’s first feature starts with great visuals and effective suspense but gets lost in a a hallucinogenic mess that promises more than it delivers.
Continue readingDespite the authentic feel of rural Australia in the 1970s, Aaron Wilson’s exploration of masculinity and Australian identity is a rather flat and depressing journey.
Continue readingAn interesting documentary about the female pioneers of electronic music that succeeds in elevating their names without necessarily providing a context for their work within the wider genre or their impact on contemporary music.
Continue readingYou need to be immersed in slow cinema to really feel its beat and emotion and Tsai Ming-Liang’s mood piece about urban loneliness was lost on me on a small screen.
Continue readingFull of slow twists and turns and existential ruminations on the intersections of physiology, memory and personality, Lili Horvát’s enigmatic drama gives us no easy answers.
Continue readingA worthy but meandering elegy to the many transgender people murdered in Brazil, the highest per capita in the world, according to the end credits.
Continue readingA low-budget family affair with a crew made up of director Alexandre Rockwell’s film students, Sweet Thing feels like a home movie as seen through the eyes of children.
Continue readingAt first, this look at the inherent bias of algorithms in our daily lives made me uneasy and tempted to ditch all my technology. I stuck with it, though it nearly had me nodding off with its ambling pace, and was rewarded with some third act gems,
Continue readingFlashing coloured lights, an ominous score and an intense and tear-stained performance by a small ensemble cast make Amy Seimetz’s second feature a frustrating and memorable experience. Its seemingly prescient exploration of a pandemic of belief has many nuances that reflect current social crises.
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