

Okay, I only went to see this because I know one of the ‘background talent’ – that is the term director, writer, producer and star Harvey Zielinski used in his introduction to the film.
Continue reading

Okay, I only went to see this because I know one of the ‘background talent’ – that is the term director, writer, producer and star Harvey Zielinski used in his introduction to the film.
Continue reading

My MIFF BFF Ariel said I had to see this film as Barbara Hammer is the most important lesbian filmmaker ever. I’m glad I did.
Continue reading

Sad sad sad sad. I think I knew this was going to be about queer sorrow rather than joy, although I was drawn in by the period setting and Fiona Shaw.
Continue reading

I was sad I could not stay for the Q&A as the introduction by the director, Diego Céspedes, and one of the stars, Sirena Matilde, was heartfelt and drew attention to the film as a story about the beauty of trans and queer families.
Continue reading

I can’t believe I almost skipped this film! It was such a delight from beginning to end.
Continue reading

Oh the sweet nostalgia of the 90s! The toxic world of commercial photography, particularly if you’re a woman, and the chic of heroin-fuelled nights.
Continue reading

Fatima (Nadia Melliti) is an Algerian teen living in France. She loves football, hangs out with her bros at school, and spars with her older sisters as they tease her for not knowing how to cook or dress in a way that men like.
Continue reading

It’s a swing and a miss from Ethan Coen‘s first solo film without his brother Joel.
Continue reading

I still feel suffused with the golden light and intense motion of Andrew Haigh’s masterful exploration of individual and generational grief.
Continue reading

Goran Stolevski drops us into a maelstrom of a household and holds us there through grief and hardship and transcendent moments of love.
Continue reading