

How do you rate a film when you don’t understand it?
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Sometimes you want a horror experience that’s visceral and uncomplicated and the debut feature by South Australian directors Indianna Bell and Josiah Allen gives that in spades.
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Maite Alberdi allows us to travel back-and-forth through the life of writer Augusto Góngora. Part of the documentation and reconciliation after Chile’s fascist junta, his own memories are now scattering with Alzheimer’s.
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Kleber Mendonça Filho takes us on a slow, self referential meander through his home suburb of Recife in Brazil and the history of its cinemas.
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An insubstantial musical bubble about the vagaries of love set in an 80s stage set shopping mall.
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I lived through the rise and fall of BlackBerry but, not being an early adopter, it barely touched my life.
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Destined to confound, this sometimes surreal drama (with a touch of horror) sits in an uncomfortable space between metaphor and realism.
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A room full of filmmakers with remarkably little insight into the world outside of their bubble.
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That an IMDb user gave this one star and called it “an LGBTQ+ movie disguised as a sci-fi” makes me like it even more.
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I’m not sure what I was expecting from Oldboy but I didn’t think it would be quite so hard to watch.
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