

A surprisingly wholesome, bloody revenge movie that sees a father’s suppressed rage wreak havoc when he thinks his wife’s death was part of an assassination plot.
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A surprisingly wholesome, bloody revenge movie that sees a father’s suppressed rage wreak havoc when he thinks his wife’s death was part of an assassination plot.
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Full of slow twists and turns and existential ruminations on the intersections of physiology, memory and personality, Lili Horvát’s enigmatic drama gives us no easy answers.
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Beginning as a familiar story of a rebellious teenager pushing against the confines of her family, Joyce Chopra takes us down a dark path that perfectly captures the strength and vulnerability of a young woman.
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I wanted to like this confronting, dystopian thriller but it is so unrelentingly cynical and brutal that it felt it had nothing new to say.
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A glimpse into Iran between two revolutions, Mohammad Reza Aslani’s long-lost first feature manages to meld Vermeer-like drawing-room drama with gothic horror.
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A worthy but meandering elegy to the many transgender people murdered in Brazil, the highest per capita in the world, according to the end credits.
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In carefully composed black and white imagery, we watch the Soviet propaganda machine go into overdrive to cover up 1960s labour strikes and a subsequent, ill-advised massacre.
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Reminiscent of an early Asghar Farhadi film, this tense and elegant drama by partners Behtash Sanaeeha and Maryam Moghadam explores the complexities of sacrifice and atonement in contemporary Iran.
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Yngvild Sve Flikke’s gorgeous, feminist drama snuck up on me like a ninja, baby.
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Based on the real experiences of a woman seeking justice after her daughter is abducted by a Mexican cartel, Teodora Mihai’s first feature is not so much a revenge thriller as a portrait of indomitable strength amidst unimaginable tragedy.
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