

A well-meaning but underwhelming documentary that fails to paint a compelling portrait of its quirky Maori subjects.
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A well-meaning but underwhelming documentary that fails to paint a compelling portrait of its quirky Maori subjects.
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An interesting documentary about the female pioneers of electronic music that succeeds in elevating their names without necessarily providing a context for their work within the wider genre or their impact on contemporary music.
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First-time feature documentary director Kier-La Janisse gives us a fascinating deep dive into the world of ‘folk horror’ films and what they say about fear, colonialism and the ‘other’.
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You need to be immersed in slow cinema to really feel its beat and emotion and Tsai Ming-Liang’s mood piece about urban loneliness was lost on me on a small screen.
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It’s hard not to like this unashamed hagiography of furniture salesman and Melbourne icon, Franco Cozzo.
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Messy, arty and wry, this mockumentary by Bill Benz weaves the true-life friendship of Carrie Brownstein and Annie Clark, stage-name St. Vincent, with a rumination on fame, identity and artifice.
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This simple and joyful film, ostensibly about a young band trying to navigate flood waters to get to Tehran for an audition, hides a deeper meaning about the challenges for young Iranians.
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A bitter-sweet romance that, by stealth, will show you the precariousness of living in Palestine.
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Like a black and white Amelie (2001) without the whimsy, French director and graphic novelist Nine Antico’s first feature tracks the travails of hapless Sophie (Sara Forestier) as she searches for love.
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Director Shelly Silver takes a simple premise – to interview young women about the art they are seeing in a gallery – and creates an absorbing commentary on female representation and its effects.
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