Category Archives: MIFF

The Club (2015)

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The lights went up at the end of this black Chilean drama and Alex said, “That’s my film of the festival, I loved it!” and I said, “That was crap. What on earth was that film about?” It just shows you, doesn’t it? No, not that Alex has bad taste in films (although it is possible…) but that our film experiences are as much about ourselves as the film. Okay. so maybe I didn’t think it was crap, but I didn’t get what it was trying to say. It was a bleak film, and although there were small moments of warmth and humanity, the topic perhaps ensures that these were overwhelmed by darkness. Continue reading →

In the Crosswind (Risttuules) (2014)

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Hold the phone, Simone, and shut the front door, Lenore. I have seen my film of the festival. The one that blew me away and I would have started watching again if I could. In the Crosswind is an Estonian drama unlike anything I have seen before.

It tells the story of the forced removal of half a million Estonians, Latvians and Lithuanians from their homelands by Stalin, to be ‘resettled’ in Siberia and prison and forced labour camps. The only dialogue in the film is the reading out of the actual letters and diary entries of an Estonian woman, Erna, to her husband Heldur. She has been taken with other women and children to Siberia and lives in dire poverty and deprivation, he has been sent to a gulag. Continue reading →

Tehran Taxi (2015)

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I almost liked this Iranian film. I wanted to like it. Jafar Panahi directed a couple of films I really liked – Crimson Gold and The White Balloon. In this one, he is in the centre of the story, playing himself and driving a taxi whilst filming. It is set up as if it is a documentary but it’s obvious that it is fictional and his passengers are (reportedly non-professional and uncredited) actors. It works well at the start, with a rough and authentic feel as people hop in and out, talking and arguing with each other. A man jumps in who recognises Panahi and so we realise who he is and that this is a docudrama. Continue reading →

The Assassin (2015)

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Here’s a bit of inside information. If a movie is described as “a mesmerising slow burn of a martial arts movie”, it means nothing happens for a very……..long………time. Hou Hsiao-hsien has returned to directing after eight years. I remember liking a film of his but I’ve looked on IMDb and I can’t recognise any of his past films. I’m thinking that maybe I just like the sound of his name. Hou Hsiao-hsien. Hou Hsiao-hsien. Continue reading →

Day eleven – the people of MIFF

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I felt like I skived off a bit today. Although I thought I had successfully left my husband and kids behind to come to MIFF, Ron followed me down for a couple of nights and he got to experience my MIFF world. We took the morning off and trekked out on the Eastern Freeway to visit my sister’s chocolate company, Loving Earth. I had no idea the freeway went out so far. We sampled chocolate, got to see where the chocolate is made – it smells very nice – and joined in the weekly staff lunch. Continue reading →

Sherpa (2015)

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Did you know that the Sherpa people are an ethnic group? I didn’t, I thought sherpa was an occupational term for the Nepalese people who assist climbers on Everest. This Australian documentary delves in to the lives of the Sherpa people and how the bloated industry that has grown to enable wealthy foreigners to summit Everest affects their lives and community. We follow Phurba Tashi Sherpa as he leaves his family to lead a team of 25 Sherpa people who will assist an international group led by experienced expedition leader Russell Brice. If Phurba summits this year, it will be his 22nd time, a record. Continue reading →

Body (2015)

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Hmm. I quite liked this quirky Polish drama. Actually I liked it a lot up until the end. Of course I can’t tell you what happens at the end but I’m wondering if my disappointment was because a fellow MIFF-goer had recommended it, saying, “You don’t know where it’s going but it’s all brought together beautifully at the end.” The danger of having expectations. It is a nice ending but overstated, I think. For such a subtle film, it deserved better. Continue reading →

The Maid (La Nana) (2009)

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Thank you Jenny. I sat next to Jenny on my first day and we chatted. She is a regular MIFF-goer and one year stepped in to manage the festival, so she knows her films. We compared our schedules and she saw that I was seeing Magic Magic by Chilean director Sebastián Silva, who is having a retrospective at MIFF this year. Although she quite liked that film, she recommended two others of his – The Maid and Old Cats. So I booked The Maid and loved it. Continue reading →

Graceful Girls (2015)

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It’s hard not to be won over by the girls and women of the callisthenics community. Callisthenics, it turns out, is uniquely Australian and developed with migrant populations as a way to promote physical fitness and gracefulness for young girls. Callisthenics is like a cross between gymnastics, ballet and synchronised swimming and (almost exclusively) girls and young women train and compete in solo and group events. The pinnacle, is the annual competition at Royal South Street in Ballarat, in particular the Most Graceful Girl prize. Continue reading →