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The Nature of Love (Simple Comme Sylvain)(2023)

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I kept thinking this romcom was ‘so French’ as it eschewed all the typical tropes in favour of a madcap, wry cynicism about love. But of course, it’s French-Canadian. Sorry!

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August 25, 2023 Leave a comment

Lost in the Night (Perdidos en la Noche)(2023)

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Amat Escalante’s Lost in the Night feels like an amalgam of Mexican films I have seen over the past few years.

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August 24, 2023 Leave a comment

Goodbye Julia (2023)

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Mohamed Kordofani (in an accomplished debut feature) teaches us about the political and social issues in Sudan in the early years of the Millennium through the eyes of two women on opposite sides of the conflict.

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August 23, 2023 Leave a comment

Sleep (잠) (2023)

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Set predominantly within an apartment, Bong Joon-ho protege Jason Yu’s ‘not really a horror’ hits the right balance between creepiness and drama.

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August 22, 2023 Leave a comment

Deep Sea (Shen Hai) (2023)

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Xiaopeng Tian’s 3D animation is a maximalist fever dream.

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August 21, 2023 Leave a comment

BlackBerry (2023)

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I lived through the rise and fall of BlackBerry but, not being an early adopter, it barely touched my life.

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August 20, 2023 Leave a comment

Blue Jean (2022)

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Georgia Oakley crafts a decent debut feature that captures the challenges of being a lesbian in Thatcher’s Britain.

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August 19, 2023 Leave a comment

Hello Dankness (2022)

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There is nothing like a Soda Jerk film.

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August 18, 2023 Leave a comment

Time Bomb Y2K (2022)

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A nostalgic look at Y2K hysteria from the safety of the future.

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August 17, 2023 Leave a comment

Tommy Guns (Nação Valente) (2023)

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Destined to confound, this sometimes surreal drama (with a touch of horror) sits in an uncomfortable space between metaphor and realism.

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August 16, 2023 Leave a comment

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