Kāinga (2022)

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Image via miff.com.au

The third in a trilogy of films raising the voices of women (after Waru (2017) and Vai (2019)), Kāinga (or home) gives us eight short films each focusing on a girl or woman from an Asian country trying to find her place in Aotearoa New Zealand. The connection between them, as the stories span decades, is the same house on 11 Rua Road where they all live or visit.

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The Duke (2020)

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Image via ign.com

It seems churlish to criticise this sepia-toned homage to working class heroes as it’s clear from the outset that it’s not trying to rock any boats. And who doesn’t love Jim Broadbent and Helen Mirren in a ‘based on a true story’ hagiography of the man who stole a painting from the London National Gallery in 1961?

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Kompromat (2022)

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Image via affrenchfilmfestival.org

Rules for escaping a totalitarian state: 1) Don’t use a mobile phone; 2) Don’t use a mobile phone to call the daughter-in-law of your pursuer; 3) Don’t use a torch when crossing a patrolled border at night. And a hot tip – Siberian aluminium foil is the bomb!

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