So much more than a sport documentary, Justine Moyle has managed to show the exquisite pain and beauty that is the coming of age of Australian park skateboarding star and all-round decent human being, Poppy Starr Olsen.
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Emma Dante has created a beautiful and affecting film version of her play about five Sicilian sisters, forever changed by a tragedy.
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Refreshing in its portrayal of the good and evil of Japan’s part in WWII, Kiyoshi Kurosawa’s mystery has some decent twists and turns amidst the melodrama.
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Despite the authentic feel of rural Australia in the 1970s, Aaron Wilson’s exploration of masculinity and Australian identity is a rather flat and depressing journey.
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A well-meaning but underwhelming documentary that fails to paint a compelling portrait of its quirky Maori subjects.
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An interesting documentary about the female pioneers of electronic music that succeeds in elevating their names without necessarily providing a context for their work within the wider genre or their impact on contemporary music.
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The Irish Film Festival Australia is streaming online; a glorious chance to drink Guinness, cook Irish food and immerse ourselves in Irish culture and stories. Emer Reynolds’ warm-hearted hagiography of Thin Lizzy front man Phil Lynott is a welcome elevation of his music and the difficulties of being “the only black boy in Dublin in the 50s” rather than the tragic ignominy of his death.
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First-time feature documentary director Kier-La Janisse gives us a fascinating deep dive into the world of ‘folk horror’ films and what they say about fear, colonialism and the ‘other’.
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You need to be immersed in slow cinema to really feel its beat and emotion and Tsai Ming-Liang’s mood piece about urban loneliness was lost on me on a small screen.
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It’s hard not to like this unashamed hagiography of furniture salesman and Melbourne icon, Franco Cozzo.
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