A documentary about another documentary is an odd thing. This is not just any documentary though, it is about Shoah (1985), Claude Lanzmann’s 9 1/2 hour epic made over 12 years.
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A wrapped untouched candy. This would be a good alternative title, although Happy Holidays is so deeply ironic.
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This rather endearing and slightly mad documentary about hunting for Burmese pythons in the Florida Everglades is exactly what you’d expect from a movie about hunting pythons in the Florida Everglades but then a little bit more.
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I think this one is going to be polarising. Judging by the impassioned conversations I had with fellow MIFF goers after the film, I can see there are many different takes on its confronting structure and content.
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Ok. I loved this. I don’t think it will be everyone’s cup of tea but from the first bolshie feminist dance number, I was hooked.
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Not about a woman called Dispeller but about a legitimate practice in China where wives, who find out their husbands are cheating on them, employee someone to dispel the mistress – a mistress dispeller.
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Zombie movie – tick. Set in Tasmania – tick. Starring Daisy Ridley – okay, I can go with that.
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Slovenian director Urska Djukic gives us a convincing meditation on emerging teenage identity and sexuality in a repressive Catholic culture.
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I keep forgetting one of the joys of MIFF is seeing an Antipodean documentary about a person, having them there at the screening and finding out they’re a really decent person. The MIFF trifecta.
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I’ve wavered a little in what I feel about this absorbing look at teenage motherhood. Does it get under the skin of these young women or are we to believe their biggest stressors will be boyfriends and poor relationships with their own mothers?
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