

I really enjoyed this film, although afterwards I felt guilty about it. How can someone so toxic be so adorable?
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I really enjoyed this film, although afterwards I felt guilty about it. How can someone so toxic be so adorable?
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Director Paige Bethmann gives us the gentle story of Ku Stephens, a young runner from the Pailute people in Nevada.
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This really was a perfectly MIFF film to start the 2025 festival. Pretty, quirky, occasionally obtuse, with long narratively disconnected shots and a bit of magical realism.
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Should we hold children’s films up to the same standard as adult films? That’s what I was left asking myself after this super-saturated fable that felt like Wes Anderson meets Disney meets a Grimm’s fairy tale.
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I really love Kelly Reichardt films. Even the ones that don’t seem to be about anything, like Showing Up (2022), somehow draw me in with the beauty of moments and the delicate journey of quite ordinary characters.
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You know life is tough when you’re in Melbourne for the weekend and you run out of films to see at the Cinema Nova because you’ve already seen them all.
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Cinema Nova is showing restored Akira Kurosawa films and there are many that I haven’t seen. This one just happened to fit into my schedule and with a 9:15 pm screening in one of the small basement cinemas, I was kept company by a ragtag assortment of film nerds.
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I’ll admit upfront that I’m not a fan of the films of Robert Eggers. I didn’t mind The Witch, although I found the ending laughable which was a shame as it had a great mood, but I really hated The Northman and The Lighthouse and so when I heard that he had remade Nosferatu, I had mixed feelings.
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I have a patchy relationship with Pedro Almodóvar. From loving his early films, I lost my way with some of his more recent dry melodramas, like Julieta. He won me back though with Pain and Glory and so I was tentatively excited to see his latest.
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