I had a really interesting conversation yesterday with a friend about the subjectivity of film reviewing and how the baggage you carry with you influences your judgement of a film. I’m not sure he totally agreed with me but we then watched Midnight Special and, for me, my bias was clear. My sister asked me to see this film as she wanted to talk to me about it’s metaphor and metaphorical it certainly is. At least it has to be otherwise it doesn’t really make sense. Continue reading
Thelma and Louise (1991)
Standard
This year marks twenty five years since the release of Thelma and Louise so what better way to mark it than to watch it with my three daughters. I was twenty six when I first watched this, so that’s half my lifetime ago. I remember at the time loving it because it put women at the centre of the action, it was funny, the two stars were engaging, the cinematography was beautiful and there was a thrill in identifying with characters who didn’t do what they were told. Now, at 51, I can see that this film is even more than that. Continue reading
Zootopia (2016)
Standard
Disney’s feminist polemic. I know right? What does Disney think it’s doing serving up this thinly veiled feminist propaganda? What are they trying to do, influence the minds of our courageous young boys and tractable young girls? I know what kind of barrow you’re trying to push Disney, you’re trying to tell us that girls can do boy jobs. In fact sometimes they can do boy jobs better than boys because girls are essentially moral and they always try and do the right thing. And if only those aggressive boys would just listen to those good girls they might learn something. Just as long as the girls don’t get too emotional. Or try to tell the boys what to do. And need saving when the going gets really tough. Continue reading
Burnt (2015)
Standard
Bradley Cooper is a CHEF. He’s had a TROUBLED PAST. He wants to prove that he’s the BEST. But he can’t do it ALONE. And I can tell all of this just from the poster. I laughed when I saw the poster at the cinema a few months ago. It seems like such a formulaic premise for a movie, something that movie execs cook up thinking that it can’t possibly fail because it has all the right ingredients. And it’s not a terrible movie, but it’s like dining at McDonald’s, you know exactly what you’re going to get when you walk in and no amount of artisan presentation will change the fact that it’s the same burger you’ve eaten many times before. Continue reading
Eddie the Eagle (2016)
Standard
The trailer for this film sucked me in. It looked like a warm, quirky British biopic in the vein of Billy Elliot or Chariots of Fire. It’s based on the true story of Michael ‘Eddie’ Edwards, the irrepressible everyman who managed to represent Great Britain in ski jumping at the 1988 Calgary Winter Olympics, despite being a relative newcomer to the sport and not on a par with other competitors. Unfortunately this film has more in common with Cool Runnings, the largely fictionalised Disney film of the Jamaican bobsled team that competed at the same Olympics, than I hoped. Continue reading
Rams (Hrutar) (2015)
Standard
I want to go to Iceland. I blame Björk for sparking my interest. There is something about her discordant eccentricity, the kookiness of Icelandic names and the brutality of the landscape that makes me think this would be a country worth knowing. It’s possible that Rams is the first Icelandic film I have ever seen and it didn’t disappoint. Continue reading
Eternal Sunshine of the Spotless Mind (2004)
Standard
I’d forgotten this film from 2004. Joel (Jim Carrey) wakes to find that his girlfriend Clementine (Kate Winslet) has had all memory of him erased so that she can move on. In anger, he chooses to do the same and we follow him back through their relationship as the fragments of his memory of her disappear. Directed by Michel Gondry with inventive camerawork and very few post-production special effects, you are kept off-kilter as you navigate your way through the real and the surreal that is Joel’s mind. Continue reading
Carol (2015)
Standard
Or cigarettes and sombre faces. Carol is directed by Todd Haynes (Far from Heaven), based on a novel by Patricia Highsmith (The Talented Mr Ripley) and stars Cate Blanchett and Rooney Mara. Good credentials as far as I’m concerned. It is set in early 50s New York, a post-war world where women are beginning to emerge from the constraints of the past and it explores a lesbian relationship, highlighting the challenges and inequities for women who don’t conform. It is based on an experience of Highsmith’s and her story existed many years under a pseudonym with Highsmith denying authorship until the late 80s, a telling fact as to how long these inequities existed (and still exist). Continue reading
Peggy Guggenheim: Art Addict (2015)
StandardI have mixed feelings about this documentary. I appreciate the opportunity to learn more about an interesting and non-conformist woman who had an impact on the development and understanding of modern art, something that seemed to be the domain of men in the mid-20th century. The documentary itself, though, is rather pedestrian and does not match its subject’s love of challenging and expressive art. Continue reading
In the Shadow of Women (L’ombre des femmes) (2015)
StandardOr why sometimes it is better to cut and run. Pierre and Manon are married. They are documentarians who struggle to make ends meet. Pierre is silent and dour, Manon sparkles and pleases. Pierre meets a younger women, Elizabeth, and begins an affair. One day Elizabeth spies Manon in the arms of another man and must decide if she should tell Pierre. Continue reading
fillums 