

Rose-Lynn Harlan (Jessie Buckley) is a largely unlikable hero but we can’t help hoping she finds her way to success.
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Rose-Lynn Harlan (Jessie Buckley) is a largely unlikable hero but we can’t help hoping she finds her way to success.
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Only the first feature of Marcelo Martinessi, this is an assured exploration of a difficult and contemporary topic.
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This is a completely enjoyable film by Sofia Coppola, led by Rashida Jones’s strong, awkward and likeable characterisation of an every woman who realises she has unknowingly transitioned from exciting and sexy to boring and frumpy in the eyes of her husband.
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I love a good psychological thriller and have a secret fascination with the kind of detective work that must go into investigating plane crashes.
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Thanks Lowell for telling me to lower my expectations with this Gen Alpha meets ancient Japanese grudges J-horror.
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I feel a bit ashamed to say that I can’t remember if I’ve ever seen a film by Takeshi Kitano. I feel that surely I have seen Hana-Bi (1998) or Zatoichi (2003) but from the glimpses in this interesting short documentary by Yves Montmayeur, none really stand out.
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This is a Japanese horror of Ringu (1998) ilk, all about vengeful wraiths and the monstrousness of female emotions.
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I was a bit trepidatious about seeing Almodóvar’s latest (in 2019 – it’s taken me a while to post this!).
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