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Tag Archives: 4.5 stars

Late Night with the Devil (2023)

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This thoroughly enjoyable schlock horror game show pastiche is, as my MIFF buddy Not a Sexy Vampire aptly calls it, “the Don Lane show gone to hell.”

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August 27, 2023 Leave a comment

Hello Dankness (2022)

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There is nothing like a Soda Jerk film.

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August 18, 2023 Leave a comment

The Carnival (2023)

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Isabel Darling’s The Carnival reminded me of a particular ilk of great Australian documentary storytelling, like Maya Newell’s Gayby Baby (2015) and In My Blood it Runs (2019) and Justine Moyle’s Tall Poppy (2021). The storytellers find a subject or a family who seem absolutely ordinary and build a rapport that allows them to tell the story of how they are extraordinary.

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August 16, 2023 Leave a comment

Past Lives (2023)

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Celine Song’s debut feature is a quiet and lyrical ode to inyeon, the Korean term for “the miracle of being in the same room together at the same time.”

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August 14, 2023 2 Comments

Mass (2021)

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What might you say if you came face to face with the parents of the child who killed your child?

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October 14, 2022 1 Comment

107 Mothers (Цензорка) (2021)

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This must be one of the most convincing ‘docufictions’ I have even seen. Peter Kerekes spent five years filming in a Ukrainian women’s prison and has crafted an austere and profound drama where the voices of the women are integral to the story.

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October 6, 2022 Leave a comment

The Lonely Spirits Variety Hour (2022)

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You always hope for a gem at a film festival – a film you know nothing about, that you have no particular hopes for but that transports you somewhere transcendent.

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October 1, 2022 Leave a comment

Children of the Mist (Những đứa trẻ trong sương) (2021)

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Documentaries don’t usually make me so angry I want to throw something at the screen. Vietnamese film maker Hà Lệ Diễm gives us unprecedented insight into Hmong culture and their tradition of bride kidnapping.

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September 30, 2022 Leave a comment

The Eight Mountains (Le Otto Montagne)(2022)

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Even though this is a very intimate story of friendship, it feels epic in scale and rich in detail, set against a glorious backdrop of Alpine mountains.

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September 27, 2022 Leave a comment

Innocence (2004)

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Lucile Hadzihalilovic’s first feature-length film is an austere and ominous parable about the societal limitations imposed on young women.

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September 26, 2022 1 Comment

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