
Set predominantly within an apartment, Bong Joon-ho protege Jason Yu’s ‘not really a horror’ hits the right balance between creepiness and drama.
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Set predominantly within an apartment, Bong Joon-ho protege Jason Yu’s ‘not really a horror’ hits the right balance between creepiness and drama.
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I lived through the rise and fall of BlackBerry but, not being an early adopter, it barely touched my life.
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On the surface, this is a story of a woman trying to leave an abusive marriage, but it shines a light on the insidiousness of domestic violence and its roots in patriarchy.
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A guaranteed strategy to stay awake through your third film of the day, is to make sure it’s a horror.
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That an IMDb user gave this one star and called it “an LGBTQ+ movie disguised as a sci-fi” makes me like it even more.
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I love a bit of folk horror and Chilean director Christopher Murray takes us on a slow and compelling journey through colonisation.
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My mum was politically conservative. She and my dad were Liberal voters but I still remember the yellow triangular No Dams sticker on her car.
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This very confident directing debut from writer Stephen Karam has star power that will pull many an unsuspecting viewer into an inexorably bleak story.
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Pinochet’s Chile in 1976 is a time where any opposition to his dictatorship meant quiet disappearance and torture or murder out of the public eye.
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This is a beautiful mood piece that explores what the world might look like if the elderly were no longer valued.
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