

You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
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You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
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I’m not sure that I expected much from this horror comedy, other than a lot of lighthearted laughs.
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At the end of a long day of film watching, when you’re feeling a little bit tired emotionally wrung out by a couple of films, what you need is something a bit silly, a bit lovely and with a few twists and turns you don’t see coming.
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I was quite keen to see this one when the MIFF program first came out. I’m a big fan of Mark Duplass, even his films that aren’t complete successes usually have some quirky warm heart to them that keeps me coming back for more.
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Either I’m too uneducated in contemporary western politics to understand the nuances of this not absurdist enough satire or it’s a stylish mess.
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I’m not sure what I was expecting out of Julio Torres’s sweet and quirky almost fairytale about speaking up for yourself. Something easy to watch. I wasn’t expecting to find it so poignant.
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I needed to see a film like this that would fill up my cup after a MIFF that seems heavy on melancholy.
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I love this kind of film. It’s like a black and bleak Hunt for the Wilderpeople but where parenting isn’t a grizzled old man getting a second chance. With sex toys.
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This is a completely enjoyable film by Sofia Coppola, led by Rashida Jones’s strong, awkward and likeable characterisation of an every woman who realises she has unknowingly transitioned from exciting and sexy to boring and frumpy in the eyes of her husband.
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