A documentary about another documentary is an odd thing. This is not just any documentary though, it is about Shoah (1985), Claude Lanzmann’s 9 1/2 hour epic made over 12 years.
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This rather endearing and slightly mad documentary about hunting for Burmese pythons in the Florida Everglades is exactly what you’d expect from a movie about hunting pythons in the Florida Everglades but then a little bit more.
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Not about a woman called Dispeller but about a legitimate practice in China where wives, who find out their husbands are cheating on them, employee someone to dispel the mistress – a mistress dispeller.
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I keep forgetting one of the joys of MIFF is seeing an Antipodean documentary about a person, having them there at the screening and finding out they’re a really decent person. The MIFF trifecta.
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Kasimir Burgess made a documentary Franklin a few years back, that I really enjoyed. With that film, he used a central story and narration to help us understand several threads about activism, nature, and acceptance of identity.
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I’m not sure if it’s just that I hit the day five morning crash of MIFF but I struggled to keep my eyes open in this Irish-made, quietly languid documentary about a Ukrainian health sanatorium that seems stuck in the 80s.
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I think I probably knew this was going to be a depressing film because it was about low caste farmers in Rajasthan fighting against corrupt officials.
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I’m a Wisemen fa-an (why do I hear Susan Sarandon in I Can Make You a Man when I say this line?). Okay I’ve only seen two but I loved Menus-Plaisirs so much that I think I would like anything Frederick Wiseman makes.
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Can a documentary be too quirkily perfect? This might be a good example of one, where, after thoroughly enjoying every perfectly framed moment and oddball character, I began to wonder if the whole thing was constructed like a Christopher Guest mockumentary.
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Director Paige Bethmann gives us the gentle story of Ku Stephens, a young runner from the Pailute people in Nevada.
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