Audrey Napanangka (2022)

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You can see that this film has been a labour of love and a way for director Penelope McDonald to honour her friend, Warlpiri artist and actor Audrey Napanangka. It took 10 years of filming and collaboration, over 160 hours of footage – while introducing the film McDonald aptly quotes Da Vinci, “Works of art aren’t finished, they’re abandoned.”

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The Pawnshop (Lombard) (2022)

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Image via http://www.acmi.net.au

Clips from the US ‘reality’ TV show Hard Core Pawn occasionally appear in my socials and its depiction of pawnshops is firmly rooted in the capitalist myth that those without somehow deserve their lot. The owners unapologetically buy low and sell high and aggressively eject the many grifters trying to con them with worthless or stolen junk. In Lukasz Kowalski’s empathetic observational documentary Lombard, we see poverty in all its forms in Poland’s largest pawnshop.

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The First 54 Years – An Abbreviated Manual for Military Occupation (2021)

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Image via sff.org.au

It is hard not to despair of the world and the depravities that humans will perpetrate as you watch this measured dissection of the mechanics of a military occupation. Avi Mograbi balances the message by having former Israeli soldiers dispassionately recount their part in the occupation of Palestine, illustrating a system that seeks to colonise, dehumanise and deconstruct a nation.

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