

You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
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You can’t really go wrong with a biography about a man who was not only a really decent bloke but also genuinely funny.
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Can a documentary be too quirkily perfect? This might be a good example of one, where, after thoroughly enjoying every perfectly framed moment and oddball character, I began to wonder if the whole thing was constructed like a Christopher Guest mockumentary.
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It’s such a relief when a film is more than it seems. With an eminently forgettable title, so forgettable that I have to keep searching for Florence Pugh and then looking at her filmography to remember what it is called, the trailer for this makes it feel like you’re being shown the whole story.
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If you feel like filling up your cup, without too much cloying sentimentality, I recommend Memoir of a Snail by Australian Adam Elliott.
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It seems fitting to catch up on a film missed at MIFF 2019 whilst sequestered to watch MIFF 2020 online. It was a late night find and Jillian Bell’s starring role was a major draw.
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You always hope for a gem at a film festival – a film you know nothing about, that you have no particular hopes for but that transports you somewhere transcendent.
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I won’t be the first to say that this warm, spiky coming of age road movie is sweet as.
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A warm-hearted cautionary tale for all those feeling the need to flex about their lives.
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This is a lush and enthralling ‘fairytale’ based on A S Byatt’s short story “The Djinn in the Nightingale’s Eye” and director by Australian legend George Miller.
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“Put…the cabbage…down!” Jim Archer melds the whimsy of Wallace & Gromit with the pathos of Lars and the Real Girl and the unease of The Office to bring us a feel-good coming-of-age story of loner Brian.
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