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Like a sweet, golden, flaky pastry served with a bitter coffee, Maryam Touzani’s Adam is full of warmth, sorrow and satisfaction. Continue reading
Adam (2019)
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Dudes (1987)
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The 80s weren’t a great time for female characters in teen cinema. Continue reading
His Lost Name (Yoake) (2018)
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This understated and enigmatic drama by Nanako Hirose is surprisingly meditative and captivating, although occasionally frustrating and ultimately unsatisfying. Continue reading
Take Me Somewhere Nice (2019)
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“The hardest thing in life is letting go of those you hold dear. After that, everything is easy.” Continue reading
Seven Beauties (Pasqualino Settebellezze) (1975)
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This is a tough film to watch. Lina Wertmüller’s caustic satire can’t help but discomfit an audience fooled by its initial comedy. Continue reading
The Juniper Tree (1990)
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A black and white oddity, this restored copy of the 1990 film by American Nietzchka Keene is known primarily as singer Björk’s first feature film. Continue reading
Song Without a Name (Canción Sin Nombre) (2019)
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It’s hard not to leave this sparse and atmospheric Peruvian drama feeling desolate. Likened to Roma (2018) for its lush black-and-white cinematography and focus on an indigenous woman in central America, it is profoundly moving but a more fragmented and opaque experience. Continue reading
Papicha (2019)
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“Don’t drink standing up. Satan will see you. And with your left hand too!” Continue reading
Judy and Punch (2019)
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Except for a slight misstep in the third act, this darkly funny evisceration of violent men and mob mentality hits all the right notes (pun intended). It is a strong debut by director Mirrah Foulkes. Continue reading
For Sama (2019)
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“He is my son. This is my love.” says a mother as she carries her young son, killed by an air strike. He was taken by his brothers to the makeshift hospital that Hamza, the husband of journalist and a writer/director Waad Al-Khateab has established in Aleppo during the siege of 2016. Continue reading
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