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Some films knock you sideways with unexpected brilliance and Maryline, retitled for the Alliance French Film Festival as Bright Weakness, is one of those. Heartfelt, subtle and unexpected, I could not look away from Adeline D’Hermy’s mesmerising performance. Continue reading
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AIDS and activism in the 80s and 90s are inextricably entwined. Grassroots organisations like ACT UP were at the forefront of multifaceted agitation, lobbying, education and shock tactics to reduce the spread of the virus and increase research into treatment. Continue reading
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I’m used to Michael Haneke dramas dealing a devastating blow as the credits roll (The White Ribbon, The Piano Teacher) so I was unprepared for the droll humour and light hand of this study of a wealthy French family struggling to let go of the past. Continue reading
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This French drama, touted as being one of the most divisive films of MIFF 2017, was absorbing but ultimately lacked the punch I expected. Continue reading
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What begins as a slow and awkward study of a fragile and somewhat irritating woman transforms into an engaging and gentle satire of middle class and middle-aged angst. #MIFF2017 Continue reading
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This whimsical and warm-hearted documentary tracks an inspired partnership, road trip and friendship between street artist JR and French New Wave cinema director Agnès Varda. #MIFF2017 Continue reading
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This honest, human film by French director Mia Hansen-Løve wrapped me in its warm embrace and, as the camera pulled slowly out on the final scene and the harmonic tones of the Fleetwoods began to sing, it brought me to tears. Not overly sad, the story of a 60-something-year-old woman assessing her life resonated deeply. Continue reading
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Every now and then a film changes the way I see the world. I went into Raw, the stunning first feature by French director Julia Ducournau, expecting horror but instead experienced an intense metaphorical drama about female power and desire. Best suited to those who like their cinema challenging, Raw refuses to let you look away. Continue reading
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The best thing about film societies is that they get you to see films you’ve never heard of and they’re nearly always worthwhile. For Asphalte (with a much more prosaic English title), we were outdoors on a cold Autumn night but this quirky French film about the connections we seek and cannot avoid in a faceless city kept us absorbed until the end. Continue reading
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Some films seep into your bones and only slowly fade away. I wasn’t expecting this François Ozon film to have such poignancy. On the surface it seems conventional, not withstanding its artful and at first unnoticed shifts from black-and-white to colour. In a German village in 1919, families are freshly wounded from the recent war and anti-French emotions run high. Bereaved Anna (Paula Beer), whose fiance Frantz died on the front line, regularly visits his grave. One day she finds fresh flowers there and discovers that a French man, Adrien (Pierre Niney), is also marking his grief at the grave. Continue reading
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