

“Perpetrator perp-perpetrator, you’re a perpetrator.” The beats of Britney Spears’ Womanizer oddly fit this chaotic, feminist body horror by Jennifer Reeder.
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“Perpetrator perp-perpetrator, you’re a perpetrator.” The beats of Britney Spears’ Womanizer oddly fit this chaotic, feminist body horror by Jennifer Reeder.
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This thoroughly enjoyable schlock horror game show pastiche is, as my MIFF buddy Not a Sexy Vampire aptly calls it, “the Don Lane show gone to hell.”
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A guaranteed strategy to stay awake through your third film of the day, is to make sure it’s a horror.
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Carlota Pereda gives us a delicious revenge movie that expands the story from her 2018 short film.
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My expectations were high for this second feature from A Girl Walks Home Alone at Night director Ana Lily Amirpour.
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This Gen Z horror comedy is bound to become a pop culture favourite with its witty and quotable dialogue and great blend of gore and laughs.
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Hannah Barlow and Kane Senes have teamed up to bring us a deft blend of Australiana, comedy and horror. It reminded me of Little Monsters in its loving and gory depiction of modern foibles.
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I think I knew this was going to be overblown Cronenberg fan boy drivel but Kristen Stewart so I pushed on through to a 9.45pm fourth film of the day sold out screening. I was lulled occasionally by KStew and the always mesmerising Léa Seydoux and stuck it through to its trite ending.
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It’s going to be hard to forget this dark fable by Australian Goran Stolevski (his very different Of An Age is also screening at MIFF). He’s not afraid to be daring, setting the story in 19th century Macedonia and centring it on a largely non-verbal girl.
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Jaco Bouwer’s first feature starts with great visuals and effective suspense but gets lost in a a hallucinogenic mess that promises more than it delivers.
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