
Image via miff.com.au

Unrolling like a gentle dream, Beatriz Seigner’s Los Silencios takes the serious subject of the displacement of Colombian refugees and tells it in a lyrical and ethereal way. Continue reading

Image via miff.com.au

Unrolling like a gentle dream, Beatriz Seigner’s Los Silencios takes the serious subject of the displacement of Colombian refugees and tells it in a lyrical and ethereal way. Continue reading

Image via miff.com.au

This Kiwi creation takes you into the world of aspiring rugby player 18-year-old Hemi. His dream to play for New Zealand is tempered by a need for him to be able to connect with his Maori culture and fully understand and engage with the Haka before he can be ready for such a step. Continue reading

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This 20 minute Virtual Reality short takes you on a journey of Aboriginal and Torres Strait Islander dance. Continue reading

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Sparse and visually poetic, Milko Lazarov’s Ága immerses us in the spartan life of elderly Yakut reindeer herders, Nanook (Mikhail Aprosimov) and Sedna (Feodosia Ivanova), living a harsh and contented life in the Siberian tundra. Continue reading

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I like Warwick Thornton’s vision. It is an uncomfortable one for a non-Indigenous person like myself but his film should be obligatory viewing for all of us. Continue reading

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The Sámi, or Lapp, people of northern Scandinavia have long been subjected to discrimination in Sweden, Norway and Finland. In Sami Blood we see the story of one 14 year old girl, Elle-Marya (Lene Cecilia Sparrok), whose South Sámi family herd reindeer in rural Sweden. Continue reading

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This is a warm and sensitive adaptation by director Rachel Perkins of Craig Silvey’s excellent Australian novel of the same name. The film aims squarely at a mainstream and younger audience than the book, pulling its punches to just touch on the themes of racism and abuse that are central to the story of Charlie Bucktin’s awakening from childhood innocence in the rural town of Corrigan in the 1960s. Continue reading

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Virtual Reality is cool. Not technically great yet but it is impossible not to be personally and emotionally engaged with a genuine story when you are suddenly within arm’s reach of the story teller. Collisions is a small and resounding tale, a conversation with Nyarri Nyarri Morgan, a Martu man director Lynette Wallworth met in the Pilbara. Continue reading

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I recommend seeing a film you know nothing about on a Sunday morning. I was the only person in one of Nova’s subterranean cinemas for this black and white Colombian journey into the Amazon and a history of cultural decimation. There are two overlapping stories, both of white scientists on a search for a rare healing plant, guided through the jungle by loner Karamakate and separated by 30 years. Continue reading
Here is one of my biases; I like to hear the stories of Aboriginal women. I was aware of it as I sat down to watch this hour-long documentary about the stolen wages of Aboriginal and Torres Strait Islander people over the past century. As the notes of a simple gospel song played and the first of a handful of beautiful, resilient Aboriginal women began to speak, I could feel my heart swell and the first prick of tears, because this is a sad, sad story. Continue reading