

This is a tricksy, slightly surreal drama that may have had more impact on me if it wasn’t 9:30 pm and the fourth film of my day.
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This is a tricksy, slightly surreal drama that may have had more impact on me if it wasn’t 9:30 pm and the fourth film of my day.
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This is one of those deeply upsetting documentaries where you are watching the viciousness and callousness when patriarchy is challenged play out in a rural Iranian village.
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I think this one is going to be polarising. Judging by the impassioned conversations I had with fellow MIFF goers after the film, I can see there are many different takes on its confronting structure and content.
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One thing to try not to miss at film festivals is the rare films that don’t get any other platform for viewing. Narva Marbili’s The Sealed Soil is one of these, touted as the oldest surviving Iranian film directed by a woman.
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I think it says a lot that a film like this can be made about someone who is now the sitting president of the United States of America.
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Mohammad Rasoulof keeps his political critique subtle in this early drama set almost completely on a rusting hulk of an oil tanker in the Persian Gulf.
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ACMI in Melbourne is running a retrospective of the films of Mohammad Rasoulof, an Iranian director who has made some of my favourite films (Manuscripts Don’t Burn, A Man of Integrity, There is No Evil).
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It’s been a day for hard hitting films. This was one film I was really looking forward to as it’s by one of my favourite directors, Mohammed Rasoulof (Manuscripts Don’t Burn, A Man of Integrity, There is No Evil). He has a tendency to explore morals and actions within corrupt systems in Iran and this one follows those themes.
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