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I booked this one without knowing much about the film, enticed primarily by the live soundtrack by Sampa the Great and the story about being a young, poor, black French woman, with all its beauty and tragedy. Continue reading
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This was not at all what I expected. My tendency is to skim over a synopsis if there are some key trigger words – in this case Tilda Swinton and Richard Ayoade. I think I was expecting something akin to the polished drawing-room drama of Sally Potter’s The Party (2017). It couldn’t have been more different. Continue reading
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I loved Maya Newell’s Gayby Baby (2015). She has a knack of removing herself from the frame and immersing us in the intimate world of family. It can seem like a commonplace tale until you slowly realise that she is personalising key social concerns, allowing us a window into the impact of prejudice, racism and institutionalised apathy. Continue reading
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Suffused with golden light and a fug of cigarette smoke, this Georgian drama pulls you in to what feels like a very real story of queer love in an oppressively heterosexual culture. Continue reading
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This sober and creepy tale has an inexorable pull that keeps you watching despite what seems at first to be a simple story. Continue reading
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Like God Exists, Her Name is Petruniya, this is a stylish and absorbing tale of a sheep becoming a wolf. Continue reading
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I was thoroughly charmed by this quirky Macedonian tale of courage and self determination by Teona Strugar Mitevska. Continue reading
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The perfect film to see at a midnight screening, Quentin Dupieux’s Deerskin is a wry and disturbing romp that never takes itself seriously. Continue reading
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