

A bitter-sweet romance that, by stealth, will show you the precariousness of living in Palestine.
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A bitter-sweet romance that, by stealth, will show you the precariousness of living in Palestine.
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Like a black and white Amelie (2001) without the whimsy, French director and graphic novelist Nine Antico’s first feature tracks the travails of hapless Sophie (Sara Forestier) as she searches for love.
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Director Shelly Silver takes a simple premise – to interview young women about the art they are seeing in a gallery – and creates an absorbing commentary on female representation and its effects.
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A surprisingly wholesome, bloody revenge movie that sees a father’s suppressed rage wreak havoc when he thinks his wife’s death was part of an assassination plot.
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Ostensibly a deep dive by singer, and now filmmaker, Tiriki Onus into the history of his grandfather, Bill Onus, the result gives us important insight into the difficulties faced by Australia’s First Peoples over the past century.
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Full of slow twists and turns and existential ruminations on the intersections of physiology, memory and personality, Lili Horvát’s enigmatic drama gives us no easy answers.
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Beginning as a familiar story of a rebellious teenager pushing against the confines of her family, Joyce Chopra takes us down a dark path that perfectly captures the strength and vulnerability of a young woman.
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I wanted to like this confronting, dystopian thriller but it is so unrelentingly cynical and brutal that it felt it had nothing new to say.
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A glimpse into Iran between two revolutions, Mohammad Reza Aslani’s long-lost first feature manages to meld Vermeer-like drawing-room drama with gothic horror.
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A worthy but meandering elegy to the many transgender people murdered in Brazil, the highest per capita in the world, according to the end credits.
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