

Low expectations are not a bad thing. I should like Ruben Östlund’s films as they provide an often unflinching look at social and personal failings and walk the fine line between drama and satire.
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Low expectations are not a bad thing. I should like Ruben Östlund’s films as they provide an often unflinching look at social and personal failings and walk the fine line between drama and satire.
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The story of Katia and Maurice Krafft was made for a documentary like this. In the 70s and 80s, they were feted as the only volcanologist couple, bound by their love for each other and of trying to understand active volcanoes.
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What might you say if you came face to face with the parents of the child who killed your child?
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Leonor Will Never Die takes us on a madcap ride through Filipino 80s action movies that is so meta it is like a Möbius strip.
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This very confident directing debut from writer Stephen Karam has star power that will pull many an unsuspecting viewer into an inexorably bleak story.
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Pinochet’s Chile in 1976 is a time where any opposition to his dictatorship meant quiet disappearance and torture or murder out of the public eye.
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This is a beautiful mood piece that explores what the world might look like if the elderly were no longer valued.
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Granaz Moussavi has followed up her 2009 hit My Tehran for Sale with an intimate look at street kids in Kabul.
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This is just the kind of documentary you want to watch. It’s got intrigue, a charismatic protagonist and it captures real-life drama unfolding on camera.
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