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Tag Archives: miff22

Under the Fig Trees (2021)

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Erige Sehiri makes her fiction and feature debut with this sun-dappled pastoral day in the lives of Tunisian workers harvesting figs.

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October 7, 2022 Leave a comment

107 Mothers (Цензорка) (2021)

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This must be one of the most convincing ‘docufictions’ I have even seen. Peter Kerekes spent five years filming in a Ukrainian women’s prison and has crafted an austere and profound drama where the voices of the women are integral to the story.

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October 6, 2022 Leave a comment

Give Me Pity! (2022)

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Well. That was an experience.

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October 5, 2022 Leave a comment

Hit the Road (2021)

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There’s a lot to like about this debut feature by Panah Panahi, son of Iranian legend Jafar Panahi (Three Faces, Tehran Taxi).

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October 4, 2022 Leave a comment

Utama (2022)

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Alejandro Loayza Grisi’s impressive first feature reminded me of Aga (2018) in its often wordless depiction of indigenous peoples eking out an existence in a vast and remote plain.

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October 3, 2022 Leave a comment

The Integrity of Joseph Chambers (2022)

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I loved Robert Machoian’s The Killing of Two Lovers (2020) and he again examines a crisis of masculinity in rural America, albeit through a simpler tale.

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October 2, 2022 Leave a comment

The Lonely Spirits Variety Hour (2022)

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You always hope for a gem at a film festival – a film you know nothing about, that you have no particular hopes for but that transports you somewhere transcendent.

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October 1, 2022 Leave a comment

Children of the Mist (Những đứa trẻ trong sương) (2021)

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Documentaries don’t usually make me so angry I want to throw something at the screen. Vietnamese film maker Hà Lệ Diễm gives us unprecedented insight into Hmong culture and their tradition of bride kidnapping.

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September 30, 2022 Leave a comment

Evolution (2021)

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There was something deeply compelling about this rigorous and austere look at identity and trauma by Hungarian director Kornél Mundruczó.

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September 29, 2022 Leave a comment

The Box (La Caja) (2021)

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Lorenzo Vigas pares back dialogue and fills the frame with the vast expanses of Northern Mexico in this contemplative story of loss and separation.

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September 28, 2022 1 Comment

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