

Maryam Touzani knows how to saturate her films with light, texture and touch.
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An enigmatic sci-fi-adjacent Moroccan mystical mood piece – which is a term, I never thought I would use.
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Image via miff.com.au
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Like a sweet, golden, flaky pastry served with a bitter coffee, Maryam Touzani’s Adam is full of warmth, sorrow and satisfaction. Continue reading

Image via miff.com.au
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It is the unflinchingly scrutiny of the doleful Sofia’s face that made this film for me. Behind that impassive mask, that became animated only at certain moments, I could see the naivete that had brought Sofia to this untenable point in her life. Continue reading