

With a beginning that reminded me of the doleful surrealism of Lanthimos’s The Lobster (2015), Christos Nikou gives us an unexpectedly gentle portrait of a man struggling with grief.
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With a beginning that reminded me of the doleful surrealism of Lanthimos’s The Lobster (2015), Christos Nikou gives us an unexpectedly gentle portrait of a man struggling with grief.
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I was unprepared for the visceral emotion of watching Tosca Looby’s deft collage of media representation of Australia’s first female Prime Minister Julia Gillard’s time in office.
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