

It’s a swing and a miss from Ethan Coen‘s first solo film without his brother Joel.
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It’s a swing and a miss from Ethan Coen‘s first solo film without his brother Joel.
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I expected a kaleidoscope of kick-ass Michelle Yeoh martial arts awesomeness and got that and much more.
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It has been about a week since I saw this latest film from Sean Baker (The Florida Project) and I still feel suffused with its sad beauty.
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I didn’t expect to feel quite so gutted by what seemed to be an ‘odd couple in Poland’ navel-gazing by Jesse Eisenberg.
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Okay, full disclosure; I had very low expectations of this sequel to the much loved Russell Crowe sword and sandals epic that came out almost a quarter of a century ago.
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I am grieving a little bit for my 24-year-old self. Paris, Texas was the movie for me in the 80s. I was living in London with a lot of time on my hands and not that big a social circle. I discovered arthouse cinemas in Soho and Brixton and would go on my own to see these weird and wonderful films.
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I think it says a lot that a film like this can be made about someone who is now the sitting president of the United States of America.
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What is it with horror movies in 2024? It feels like a golden age of clever, intellectual, and suspenseful horrors that trade on our understanding of the genre without ever feeling like they are relying on cheap thrills.
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Director Lee Isaac Chung, sat down to write a final screenplay before taking on a ‘real job ‘for the sake of his family. Taking inspiration from Willa Cather, he closed his eyes and wrote down memories of his childhood.
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The hook for this quirky horror is definitely Nicolas Cage and the almost comical character he plays. It’s something that is variously hidden and revealed in promotion for the film and it was one of the things that made me go to see it at a cinema.
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