

This was not what I was expecting at all. It’s an oddly torturous, funny, thought-provoking story of a man who has significant facial disfigurement.
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This was not what I was expecting at all. It’s an oddly torturous, funny, thought-provoking story of a man who has significant facial disfigurement.
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JRR Tolkien was my first major literary crush. Watership Down was a first love and paved the way for 17 years as a vegetarian and refusal to ever eat rabbit but reading The Lord of the Rings in my teens began a long-lasting love of epic fantasy. I read and reread it many times in my teens and 20s and owned pretty much every published book by or about Tolkien until his estate began churning out unpublished, and unfinished works.
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Charming and mostly predictable, Poms is like spending a cosy afternoon with wine and a good friend.
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Like tragic little rich boy Tully (Dominic Sessa), Alexander Payne traps us in a weirdly quaint version of 1970s white America with little contemporary insight.
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This is a completely enjoyable film by Sofia Coppola, led by Rashida Jones’s strong, awkward and likeable characterisation of an every woman who realises she has unknowingly transitioned from exciting and sexy to boring and frumpy in the eyes of her husband.
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I was reminded of the quiet, rural drama of Dark River (2017) while watching this intense and satisfying dive into fundamentalism. It has some predictable beats but introspective camera work and a strong performance from Alice Englert help it transcend cliches.
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It seems fitting to catch up on a film missed at MIFF 2019 whilst sequestered to watch MIFF 2020 online. It was a late night find and Jillian Bell’s starring role was a major draw.
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With conductor, Marin Alsop‘s anti-women criticism running around my head and the film’s esoteric trailer looking a tad film school, my expectations were low.
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