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Like a time capsule of white Australian society in the 50s, They’re a Weird Mob shows the challenges faced by immigrants in a culture that will give anyone go, as long as they’re a good bloke. Continue reading
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What if you’re a decent man, with an affinity for children, and you are accused of being a paedophile? This is the dilemma that faces Lucas (Mads Mikkelsen) when a misinterpreted remark by a young pupil at the kindergarten where he teaches sparks a flawed investigation. Continue reading
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The Endless fulfilled the promise of its name and felt never-ending. Listed as a horror, it is more a muddled sci-fi, low on suspense and high on exposition. Continue reading
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Directed by Alex Garland, he makes up for his terrible characterisation of women in Ex Machina (2014) with this epic female-led sci-fi. One of the first of many films, I suspect, sold directly to Netflix to avoid the cost of distribution outside the US, Annihilation is worth a look. Continue reading
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Hardly pausing to draw breath, this South Korean thriller by director Byung-gil Jung launches you into blood soaked action from the first unforgettable scene. Continue reading
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I came close to walking out of this documentary by Marco Del Fiol, about performance artist Marina Abramović, within the first 15 minutes. If I had, I would’ve missed an interesting meditation on ritual, spirituality and performance. Continue reading
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C’est La Vie! is a wry and heartwarming French comedy about love, napkin twirling and the frustrations you feel when nothing goes quite as planned. Continue reading
