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This slow and bleakly beautiful meditation on the decay and desolation of modern day Russia is framed around the story of one broken family. Continue reading
Loveless (Nelyubov) (2017)
StandardLucky (2017)
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This is essentially a one-hander for nonogenarian Harry Dean Stanton who beautifully captures the fragility and complexities of old age. Continue reading
BPM (120 Battements par Minute) (2017)
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AIDS and activism in the 80s and 90s are inextricably entwined. Grassroots organisations like ACT UP were at the forefront of multifaceted agitation, lobbying, education and shock tactics to reduce the spread of the virus and increase research into treatment. Continue reading
In the Fade (Aus dem Nichts) (2017)
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This is how revenge movie should be made. Turkish director Fatih Akin takes a story that could have been plucked from today’s news and exposes the personal cost of racism. Continue reading
Marlina the Murderer in Four Acts (2017)
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My first Indonesian, feminist, spaghetti western. Marlina (Marsha Timothy), a young widow living alone, defends herself with cool insouciance against a rapacious gang. Continue reading
The Square (2017)
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An artful satire about collective responsibility and contemporary art, The Square is clever and sometimes challenging but overlong in delivering its message. Continue reading
Afterimage (2017)
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I think we are supposed to feel sympathy for Polish artist Wladyslaw Strzeminski (Boguslaw Linda) whose avant-garde art saw him fall out of favour under socialism in the 40s. Continue reading
