The Hitman’s Bodyguard (2017)

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Faced with a choice of only three films that I could see and none of them ones that I would particularly choose (the kind of first world problem you have when your car is being serviced in a country town), I took the advice of the guy selling tickets at the cinema. He warned me off American Made (“It’s crap) and Dunkirk (“It’s boring) so The Hitman’s Bodyguard won the prize. Skimming reviews on IMDb, I expected an illogical but diverting shallow crime caper with two charismatic male leads and a few token women as love interests. And that’s exactly what I got. Continue reading

God’s Own Country (2017)

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Image via miff.com.au

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I missed this one at MIFF and it’s a timely tale of the damage caused by a lack of love and acceptance. Johnny (Josh O’Connor) lives on an isolated Scottish farm with his dad (Ian Hart) and Nan (Gemma Jones). There’s not much warmth in his world. His dad, whose physical ability has been limited by a stroke, lets Johnny know of his expectations and also his constant disappointment. Continue reading

Mother! (2017)

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Like a Lanthimos film in a fever dream, Mother! is Darren Aronofsky at his most grandiose. Receiving both boos and standing ovations at festivals, this is a film you will either love or loathe. Obtuse, metaphorical and surreal, its central female character and dark vision held my attention throughout, only faltering as the worthy but somewhat prosaic meaning became clear. Continue reading

A MIFF day in the life

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Food, drink and reviewing at the Forum Festival Lounge

 

Some friends have been curious about my MIFF experience so here’s an idea of what my days are like. It’s quite a solitary experience which is part of its charm for me. I like being able to choose only the films I want to see and to be able to change my mind at the last minute. It’s a freedom that we don’t always have in our busy lives. Continue reading